What belongs to the pen of Yesenin Yezersky. Yesenin as a symbol of Russia

“Completely Russian poet”, according to the apt expression of M. Gorky, - Sergei Yesenin is a subtle master, lyricist, devoted all his work to his homeland - Russia.

The quiz "Yesenin's Creativity" contains 12 questions. All questions are answered.

Quiz Creator: Iris Revue

1. What lines belong to Yesenin's pen?

"Hours and days are running ... still the lot of exile
As a prisoner, the dungeon burdens me,
But I already dream of a blissful moment of goodbye,
And a gentle voice repeats about joys ... "

“The sun has sunk sadly into the clouds
The sad aspen does not tremble,
The sky reflected in a muddy puddle,
And all over the familiar torment ... "

“Again I see the familiar cliff
With red clay and willow twigs,
Red oats are dreaming over the lake,
It smells like chamomile and honey from wasps "+

2. What tree became the national poetic symbol of Russia, thanks to the poet Yesenin?
Willow
Bird cherry
Birch +

3. What is the main element of Yesenin's creativity?
Nature +
Philosophy
Caucasus

4. What was the name of Yesenin's first poetry collection?
"Radunitsa" +
"Treryadnitsa"
"Transfiguration"

5. Who is the author of these words?
"Sergei Yesenin is not so much a man as an organ created by nature exclusively for poetry, to express the inexhaustible" sorrow of the fields ", love for all living things in the world and mercy."
Answer: A.M. Bitter

6. In what periods of time was Yesenin a member of the Imagist group?
In 1919-1923 +
In 1916-1918
In 1920-1923

7. What are the favorite trees of the poet?
Rowan, linden, bird cherry +
Willow, maple, pine
Oak, alder, spruce

8. In which periodical were Yesenin's poems first published?
Answer: In 1914, Yesenin's poems were first published in the children's magazine "Mirok".

9. Was Yesenin inherent in "anthropomorphism" (endowing human qualities of animals, objects, phenomena)
Answer: Yesenin developed his own, special, Yesenin "anthropomorphism":

10. Cite Yesenin's poems, the title of which contains the word "Rus"?

Answer: "Oh, Rus, flap your wings"
"Soviet Rus"
"Goy you, Russia, my dear"
"Rus leaving"

11. Yesenin greeted the revolution with enthusiasm. What works, imbued with a joyful foreboding of the "transformation" of life, appear in him during this period?

Answer: "Jordanian dove"
"Inonia"
"Heavenly Drummer"

12. What are the main directions of Yesenin's lyrics?
Answer: nature, homeland, village; folklore, universal, philosophical, evangelical motives









Sergey Yesenin. The name of the great Russian poet - a connoisseur of the folk soul, a singer of peasant Russia, is familiar to every person, poems have long become Russian classics, and admirers of his work gather on Sergei Yesenin's birthday.

early years

On September 21, 1895, in the village of Konstantinovo, Ryazan province, Sergei Alexandrovich Yesenin was born, an outstanding Russian poet with a tragic but very eventful fate. Three days later he was baptized in the local church of the Kazan Icon of the Mother of God. Father and mother were of peasant origin. Their marriage union from the very beginning took shape, to put it mildly, not very much, more precisely, they were completely different people.

Almost immediately after the wedding, Alexander Yesenin (the poet's father) returned to Moscow, where he began to work in a butcher's shop. Sergei's mother, in turn, not getting along with her husband's relatives, returned to his father's house, in which he spent the first years of his life. It was his maternal grandfather and grandmother who pushed him to write his first poems, because after the father of the young poet, his mother, who left to work in Ryazan, also left. Yesenin's grandfather was a well-read and educated person, knew many church books, and his grandmother had extensive knowledge in the field of folklore, which had a beneficial effect on the early education of the young man.

Training

In September 1904, Sergei entered the Konstantinovsky Zemstvo School, where he studied for 5 years, although the training was supposed to last a year less. This was due to the poor behavior of young Seryozha in the third grade. During his studies, he returns with his mother to his father's house. After graduating from college, the future poet receives a certificate of commendation.

In the same year, he successfully passed the exams for admission to the parish teacher's school in the village of Spas-Klepiki in his native province. During his studies, Sergei settled there, coming to Konstantinovskoye only during vacation time. It was at the school for training rural teachers that Sergei Alexandrovich began to write poetry regularly. The first works date back to early December 1910. For a week there are: "The onset of spring", "Autumn", "Winter", "To friends". By the end of the year, Yesenin manages to write a whole series of poems.

In 1912 he graduated from school and received a diploma in the specialty "school teacher of literacy".

Moving to Moscow

After leaving school, Sergei Alexandrovich leaves his native land and moves to Moscow. There he gets a job at Krylov's butcher's. He begins to live in the same house as his father, on Bolshoy Strochenovsky Lane, now the Yesenin Museum is located here. At first, Yesenin's father was happy with his son's arrival, sincerely hoping that he would become a support for him and help him in everything, but after working for a while in the shop, Sergei told his father that he wanted to become a poet and was starting to look for a job to his liking.

First, he distributes the social democratic magazine Ogni, with the intention of being published in it, but these plans were not destined to come true, since the magazine was soon closed. After that, he gets a job as an assistant proofreader in the printing house of I.D. Sytin. It was here that Yesenin met Anna Izryadnova, who would later become his first civilian wife. Almost simultaneously with this, he enters the Moscow City People's University. Shanyavsky on the historical and philological cycle, but almost immediately throws him. Working in the printing house allowed the young poet to read many books, made it possible to become a member of the literary and musical Surikov circle.

The poet's first common-law wife, Anna Izryadnova, describes Yesenin in those years:

He was known as an advanced leader, attended meetings, distributed illegal literature. I pounced on books, read all my free time, spent all my salary on books, magazines, did not think at all how to live ...

The heyday of the poet's career

At the beginning of 1914, the first known material of Yesenin was published in the Mirok magazine. The verse "Birch" was published. In February, the magazine publishes a number of his poems. In May of the same year, Yesenin began to publish the Bolshevik newspaper "Path of Truth".

In September, the poet again changes his place of work, this time he becomes a proofreader in the trading house "Chernyshev and Kobelkov". In October, the magazine "Protalinka" published the poem "Mother's Prayer" dedicated to the First World War. At the end of the year, Yesenin and Izryadnova give birth to their first and only child, Yuri.

Unfortunately, his life would end early enough, in 1937 Yuri was shot, and as it turned out later, on false accusations brought against him.

After the birth of his son, Sergei Alexandrovich leaves his job in a trading house.

At the beginning of the 15th year, Yesenin continues to actively publish in the magazines "Friend of the People", "Mirok" and others. He works as a secretary in a literary and musical circle for free, after which he becomes a member of the editorial commission, but leaves it due to disagreements with other members of the commission on the selection of materials for the magazine "Friend of the People". In February, his first known article on literary topics, "The Yaroslavs are Crying", was published in the magazine "Women's Life".

In March of the same year, during a trip to Petrograd, Yesenin meets Alexander Blok, to whom he reads his poems in his apartment. After that, he actively acquaints many famous and respected people of that time with his work, at the same time tying up profitable acquaintances with them, among them A.A. Dobrovolsky, V.A. Rozhdestvensky. Sologub F.K. and many others. As a result, Yesenin's poems were published in a number of magazines, which contributed to the growth of his popularity.

In 1916, Sergei entered military service and in the same year publishes a collection of poems "Radunitsa", which makes him famous. The poet was invited to speak before the empress in Tsarskoe Selo. At one of these performances, she gives him a gold watch with a chain on which the state emblem was depicted.

Zinaida Reich

In 1917, while in the editorial office of "Delo Narodu", Yesenin met the assistant secretary - Zinaida Reich, a woman of a very good mind, who spoke several languages \u200b\u200band typescript. Love between them did not arise at first sight. It all started with walking around Petrograd with their mutual friend Alexei Ganin. Initially, they were competitors and at some point the comrade was even considered a favorite, until Yesenin confessed his love to Zinaida, after a short hesitation, she reciprocated, and it was immediately decided to get married.

At that moment, young people were experiencing serious financial problems. They solved the problem of money with the help of Reich's parents, sending them a telegram asking them to send them funds for the wedding. The money was received without any questions. The young people got married in a small church, Yesenin picked wild flowers and made a wedding bouquet out of them. Their friend Ganin was a witness.

However, from the very beginning, their marriage went wrong, on their wedding night Yesenin learns that his beloved wife was not innocent, and had already shared a bed with someone before him. This very much touched the poet for a living. At that moment, blood leaped in Sergei, and a deep resentment settled in his heart. After returning to Petrograd, they began to live separately, and only two weeks later, after a trip to her parents, they began to live together.

Perhaps, reinsuring, Yesenin makes his wife leave her job from the editorial office, and like any woman of that time, she had to obey, since by that time the family's financial situation had improved, because Sergei Alexandrovich had already become a famous poet with good fees. And Zinaida decided to get a job at the People's Commissariat as a typist.

For some time, a family idyll was established between the spouses. There were many guests in their house, Sergei arranged receptions for them, he really liked the role of a respectable owner. But it was at this moment that problems began to appear that greatly changed the poet. He was overcome by jealousy, and alcohol problems were added to this. Once he, having discovered a gift from an unknown admirer, made a scandal, while obscenely insulting Zinaida, later they made up, but the old relationship could not be returned. Their quarrels began to occur more and more often, with mutual insults.

After the family moved to Moscow, the problems did not go away, but on the contrary intensified, that homeliness, friends who supported, instead of four walls of a seedy hotel room disappeared. To all this was added a quarrel with his wife about the birth of children, after which she decided to leave the capital and go to Oryol to her parents. Yesenin drowned out the bitterness of parting with alcohol.

In the summer of 1918, their daughter was born, who was named Tatiana. But the birth of a child did not contribute to the strengthening of relations between Yesenin and Reich. Due to rare meetings, the girl was not at all attached to her father, and in this he saw the "intrigues" of the mother. Sergei Alexandrovich himself believed that his marriage had already ended, but officially it lasted for several more years. In 1919, the poet made attempts to renew relations and even sent money to Zinaida.

Reich decided to return to the capital, but the relationship again did not go well. Then Zinaida decided to take everything into her own hands and, without the consent of her husband, give birth to her second child. This was a fatal mistake. In February 1920, they had a son, but not at birth, nor after them, the poet was not present. The name of the boy is chosen during a telephone conversation, they stop at Constantine. Yesenin met his son on the train when he and Reich accidentally crossed paths in one of the cities. In 1921, their marriage was officially dissolved.

Imagism

In 1918, Yesenin met Anatoly Mariengof, one of the founders of Imagism. Over time, the poet will join this movement. During the period of passion for this direction, he will write a number of collections, including "Tresryadnitsa", "Poems of a Brawler", "Confession of a Hooligan", "Moscow Tavern", as well as the poem "Pugachev".

Yesenin greatly helped the formation of Imagism in the literature of the Silver Age. Due to participation in the actions of the Imagists, he was arrested. At the same time, he had a conflict with Lunacharsky, who was dissatisfied with his work.

Isadora Duncan

Two days before receiving an official divorce from Zinaida Reich, at one of the evenings in the house of the artist Yakulov, Yesenin meets the famous dancer Isadora Duncan, who came to open her dance school in our country. She did not know Russian, her lexicon counted only a couple of dozen words, but this did not prevent the poet from falling in love with the dancer at first sight and receiving a passionate kiss from her on the same day.

By the way, Duncan was 18 years older than her boyfriend. But neither the language barrier nor the age difference prevented Yesenin from moving to the mansion on Prechistenka, where the dancer lived.

Soon, Duncan was no longer satisfied with the way her career in the Soviet Union was developing, and she decided to return to her homeland - to the United States. Isadora wanted Sergei to follow her, but bureaucratic procedures prevented this. Yesenin had problems obtaining a visa, and in order to get it, they decided to get married.

The wedding process itself took place in the Khamovnichesky registry office in Moscow. On the eve of this, Isadora asked to correct the year of her birth, so as not to embarrass her future husband, he agreed.

On May 2, a wedding ceremony took place, in the same month the couple left the Soviet Union and went on tour with Yesenina-Duncan (both spouses took this surname), first to Western Europe, after which they were to go to the USA.

The relationship of the newlyweds did not develop from the very beginning of the trip. Yesenin got used to a special attitude in Russia and to his popularity, and they immediately perceived him as the wife of the great dancer Duncan.

In Europe, the poet again has problems with alcohol and jealousy. Having drunk enough, Sergei began to insult his wife, roughly grabbing, sometimes beating. Once Isadora even had to call the police to calm down the raging Yesenin. Every time after quarrels and beatings, Duncan forgave Yesenin, but this not only did not cool his ardor, but, on the contrary, fueled him. The poet began to speak contemptuously about his wife among friends.

In August 1923, Yesenin and his wife returned to Moscow, but even then their relationship did not go well. And already in October, he sends Duncan a telegram about the final break of their relationship.

Last years and death

After parting with Isadora Duncan, Yesenin's life slowly rolled downhill. Regular alcohol consumption, nervous breakdowns caused by public persecution of the poet in the press, constant arrests and interrogations, all this greatly undermined the poet's health.

In November 1925, he was even admitted to the clinic of Moscow State University for patients with nervous disorders. Over the last 5 years of his life, 13 criminal cases were brought against Sergei Yesenin, some of which were fabricated, for example, charges of anti-Semitism, and the other part was related to hooliganism on alcohol grounds.

Yesenin's work during this period of his life became more philosophical, he rethinks many things. The poems of this time are filled with musicality and light. The death of his friend Alexander Shiryaevts in 1924 pushes us to see the good in simple things. Such changes help the poet to resolve the intrapersonal conflict.

Personal life was also far from ideal. After parting with Duncan, Yesenin settles with Galina Benislavskaya, who had feelings for the poet. Galina loved Sergei very much, but he did not appreciate it, he constantly drank, made scenes. Benislavskaya, however, forgave everything, every day she was nearby, pulled him out of various taverns, where drinking companions were drinking the poet at his own expense. But this union did not last long either. Having left for the Caucasus, Yesenin marries Tolstoy's granddaughter, Sophia. Having learned this, Benislavskaya goes to the physio-dietetic sanatorium. Semashko with a nervous breakdown. Subsequently, after the death of the poet, she committed suicide at his grave. In her suicide note, she wrote that Yesenin's grave contains all the dearest in her life.

In March 1925, Yesenin met Sophia Tolstaya (Leo Tolstoy's granddaughter) at one of the evenings in the house of Galina Benislavskaya, where many poets gathered. Sophia came with Boris Pilnyak and stayed there until late in the evening. Yesenin volunteered to see her off, but instead they walked for a long time in Moscow at night. After Sophia confessed that this meeting decided her fate and gave the greatest love of her life. She fell in love with him at first sight.

After this walk, Yesenin often began to appear in the Tolstoy house, and already in June 1925 he moved to Pomerantseviy lane to Sophia. Once, walking along one of the boulevards, they met a gypsy woman with a parrot, who guessed a wedding for them, while the parrot took out a copper ring during fortune-telling, Yesenin immediately presented it to Sophia. She was incredibly happy about this ring and wore it for the rest of her life.

On September 18, 1925, Sergei Alexandrovich concludes his last marriage, which will not last long. Sophia was happy as a little girl, Yesenin was also glad, boasting that he had married the granddaughter of Leo Tolstoy. But the relatives of Sofia Andreevna were not very happy with her choice. Immediately after the wedding, the poet's constant drinking binges, leaving home, spree and hospital continued, but Sophia fought for her beloved to the last.

In the fall of the same year, a long binge ended with Yesenin's hospitalization in a psychiatric hospital, where he spent a month. After his release, Tolstaya wrote to her relatives so that they would not condemn him, because in spite of everything she loves him, and he makes her happy.

After leaving the psychiatric hospital, Sergei leaves Moscow for Leningrad, where he settles in the Angleterre hotel. He meets with a number of writers, including Klyuev, Ustinov, Pribludny and others. And on the night of December 27-28, according to the official version of the investigation, he takes his own life by hanging himself on a central heating pipe with a rope. His suicide note read: "Goodbye, my friend, goodbye."

The investigating authorities refused to open a criminal case, citing the poet's depression. However, many experts, both of that time and contemporaries, are inclined to the version of Yesenin's violent death. These doubts arose due to an incorrectly drawn up act of inspection of the place of suicide. Independent experts found signs of a violent death on the body: scratches and cuts that were not taken into account.

When analyzing the documents of those years, other inconsistencies were found, for example, that one cannot hang oneself on a vertical pipe. The commission created in 1989, after conducting a serious investigation, came to the conclusion that the death of the poet was natural - from strangulation, refuting all the speculations that were very popular in the 70s in the Soviet Union.

After the autopsy, Yesenin's body was taken by train from Leningrad to Moscow, where on December 31, 1925, the poet was buried at the Vagankovsky cemetery. At the time of his death, he was only 30 years old. They said goodbye to Yesenin in the Moscow House of Press, thousands of people came there, even despite the December frosts. The grave is still there, and anyone can visit it.

The coming 2015 has been declared the Year of Literature in our country. During this period, many different events will take place throughout Russia. One of the most ambitious events will be the celebration of the 120th anniversary of the famous and beloved Russian poet S.A. Yesenin, which will be celebrated on October 3 (September 21) this year. Preparations for celebrations in the cultural institutions of the capital have already begun, and we, in turn, invite you to recall the history of Yesenin Moscow. In total, there are about 300 addresses in the capital where the poet lived, performed or visited. In our article we will tell you about some of them related to the main events in Yesenin's life.

The best thing that I have seen in this world is Moscow after all ...

S.A. Yesenin

The first and only official address of Sergei Yesenin in Moscow was house number 24 in Bolshoy Strochenovsky lane. Here in 1912 the young man came to his father, who for almost three decades served as a salesman in the merchant Krylov's butcher's shop. At the beginning of the 20th century, Krylov was the owner of four buildings. In a two-storey wooden house, built by the architect M. Medvedev in 1891, there was a "Hostel of lonely clerks in the possession of the merchant NV Krylov". Here on the ground floor, in apartment number 6, consisting of 3 rooms, the father of the future poet lived for many years. At first, Alexander Nikitich put his son in a shop as a clerk, but such a career turned out to be unattractive for the aspiring poet, and, after a short time, Sergei quit his job. After a while, he left his father's house, although until 1918 house number 24 in Bolshoy Strochenovsky Lane was officially considered Yesenin's place of residence.

In 1995, on the eve of the 100th anniversary of the poet's birth, a museum was opened in the house from which Yesenin's acquaintance with Moscow began. Today, there are exhibits covering all periods of Yesenin's life, from early youth to his tragic death, but most of the exhibition is devoted to the Moscow segment of his life and work. Of all the poets Silver Age Sergei Yesenin was most closely associated with Moscow - almost a third of his life passed here, the first poem was printed and most of his works were created.

For the talented young Yesenin, poetry and a butcher's shop turned out to be incompatible, and the young man began to look for a job more in line with the position of an aspiring poet. For a short time he worked in a bookstore at, then got a job at the printing house of the "ID Sytin Partnership" at. Here he hoped to publish his poems, and even the scanty salary of the sub-reader did not frighten the young man. The proofreader's employees did not immediately discern a talent in him. A short, proud, golden-haired boy, who was christened by the printing house as a "willow cherub", found understanding only from Anna Izryadnova. Yesenin read her poems to her, on weekends they attended classes at Shanyavsky University (the university was located at 6, since 1991 the building is occupied by the Russian State Humanitarian University), listened to lectures on poetry. At the beginning of 1914, young people entered into a civil marriage and rented an apartment near. In December, the young couple had a son, Yuri. Yesenin dedicated a small poem to his firstborn (not intended for publication). The son by birth was already considered a Muscovite, as the Ryazan guy, who recently began to conquer Moscow, proudly writes:

Be Yuri, Muscovite.

Live in the aukai forest.

And you will see your dream in reality.

A long time ago, your namesake Yuri Dolgoruky

I founded Moscow for you as a gift.

In September 1914, Yesenin took the place of a proofreader at the Chernyshev-Kobelkov printing house in (house number 10). By that time, he had already begun to publish. The famous poem "Birch", published in January 1914 in the children's magazine "Mirok", became Yesenin's first work to be published. Then his poems began to appear in other Moscow newspapers and magazines, but it seemed not enough. Shortly before the birth of his son, Yesenin decided to quit his job and devote himself only to poetry. Creativity was hampered not only by work: relations in the family did not develop. Dissatisfied with the literary opportunities in Moscow, leaving his wife and son, in March 1915 the young poet decided to move to Petrograd. He returned to Moscow three years later, but never returned to Anna Izryadnova. After the breakup, the spouses maintained friendly relations, Yesenin sometimes helped and visited Anna Romanovna in her apartment on.

In 1994, in a former communal apartment at Sivtsev Vrazhek, house number 44, apt. 14, where Izryadnova lived with her son Yuri, People's Artist of Russia S.P. Nikonenko created (A.R. Izryadnova Museum-Apartment). Yesenin's first common-law wife lived in this apartment for more than 20 years, his son grew up and was arrested here (shot in 1937), his mother came here in the 1930s, and, finally, the poet himself has been here several times. Before the fatal departure to Leningrad in 1925, as if anticipating trouble, Sergei Yesenin burned his drafts in the apartment of his ex-wife. Now in the Yesenin Center, along with an exhibition dedicated to the life and work of S. Yesenin, in a separate room there is an exposition telling about A.R. Izryadnova.

On July 30, 1917, S. Yesenin married Zinaida Reich. At first, the young people lived in Petrograd in Zinaida's apartment, but family life again did not develop, and the very spiritual atmosphere of the city on the Neva was alien to the young poet. In 1918, Yesenin decided to return to Moscow, and Zinaida Reich, pregnant with her daughter Tatyana, went to live with her parents in Orel.

Yesenin, 23, returned to Moscow as a well-known poet. But life was no easier for him than for the others. The young fashionable poet first settled in the hotel "Lux", now (house number 10), then moved to house number 19. From time to time he lived in the studio of the sculptor Sergei Konenkov, then with other friends and acquaintances - whoever had it.

At this time, Yesenin became close friends with Anatoly Mariengof. Since 1919, the friends began to rent apartments together and live "one house, one money." The young people settled in house number 3 (now Petrovsky lane, house 5, building 9) - the former house of the merchant Alexei Bakhrushin, a famous philanthropist and collector of theatrical antiquity, next to (currently). In apartment No. 46 the poets occupied three rooms, one of which was a former bathroom. According to the memoirs of A. Mariengof - the best place in the apartment: "We covered the bathtub with a mattress - a bed; a sink with boards - a desk; a column for warming water was heated with books. The heat from the column inspired the lyrics ..."

At that time, almost all the creative elite of the Silver Age gathered at the apartment of friends.

In memory of those years, a memorial plaque with a bas-relief of the poet and the inscription: "In this house from 1918 to 1923, the outstanding Soviet poet Sergei Alexandrovich Yesenin lived and worked" was installed on the building.

Under the influence of Mariengof, one of the founders and theorists of Imagism (a literary movement where the image comes to the fore, and form and content are reduced to it), Yesenin also became interested in the fashionable direction. At that time, writers themselves opened shops and sold their own books and autographs. The bookstore also appeared among the imagist poets. In the "Shop of Imagists" on (house No. 15), dapperly dressed Yesenin sometimes stood behind the counter himself. His poems sold out especially quickly.

Another project of the Imagists was the literary cafe "Pegasus Stall" at 37. Earlier it was called "Bom" and belonged to the popular eccentric clown M. Stanevsky, who works in the famous duet "Bim-Bom" (Radunsky-Stanevsky). In 1919, Imagist poets took over. The theater artist Georgy Yakulov, who designed the establishment, placed an unusual sign over the entrance - there was a pegasus in the middle in the clouds, and the name of the cafe "hovered" around in a flying intricate font. Inside, on ultramarine walls, portraits of the Imagists were sketched in bright yellow paint. Under the portrait of Sergei Yesenin there was a quote:

The wise gardener cuts - autumn

My head is a yellow leaf.

The portrait of A. Mariengof was decorated with a quatrain:

In the sun with a fist bang

And you are there - every dog's hair is a flea,

Crawling picking up the pieces

Broken enema.

The bohemian audience of that time - poets, writers, artists, artists gathered in the cafe-club. There have been both semi-criminal and criminal elements, and the "undercut bourgeois". Yesenin, known throughout the capital for his scandalous antics, once led one visitor out of the cafe literally by the nose. The poet did not like that the man spoke louder than the speaker Rurik Ivnev. Without thinking twice, Yesenin took him by the nose, led him across the hall and put him out the door. Oddly enough, but after this incident, the number of visitors in the cafe only increased.

It should be said that quite close to the "Pegasus Stable", there was a cafe of futurists - opponents of the imagists.

In the 1930s, Tverskaya Street was reconstructed. And now it is only approximately possible to designate the place where the cafe "Stable Pegasus" was located - in the area of \u200b\u200bhouse number 17.

For several years, Yesenin and Mariengof were inseparable. They traveled together, performed at various evenings, made friends with the same people.

On October 3, 1921, on the 26th birthday of Sergei Yesenin, a cheerful company gathered at the famous theater artist Georges Yakulov. His workshop was located in apartment # 38 by 10. This house is now better known for another apartment, which, with a light hand, began to be called "bad". The world-famous American dancer Isadora Duncan performed at the party. According to those present, the ballerina fell in love with Yesenin at first sight. By that time, Yesenin and Zinaida Reich already had two children, but, like the first marriage, this one did not work out. On the evening of meeting Isadora, Duncan, the poet and the great "barefoot" fled from Bolshaya Sadovaya to Isadora in a mansion on. They say that the rather short journey from Bolshaya Sadovaya to Prechistenka took much more time than usual. The asleep cab driver drove around three times, to which Yesenin jokingly remarked that the driver had married them like that. But officially they became husband and wife in the spring of 1922. Isadora Duncan needed to go abroad on tour, she could not go without Yesenin. In order not to create unnecessary problems on the trip, it was necessary to get married. Yesenin easily agreed to the marriage.

In the latter, at the beginning of the last century, there was a kind of literary club under the leadership of the association of proletarian writers, and in the basement there was a restaurant, loved by the writing fraternity for the discounts provided to them. (In the famous novel by MA Bulgakov "The Master and Margarita" "Herzen's House" is displayed as "Griboyedov's House"). In this house, where Yesenin read "Persian motives" and "Anna Snegina", the first museum of the famous poet was organized with the participation of Sofia Andreyevna Tolstoy-Yesenina. But it did not last long. After the ban on Yesenin's poetry, the museum was closed. Currently, the "Herzen House" is occupied by the literary institute. Gorky. Sadly, no material evidence related to Yesenin has been preserved here.

At the end of this year, the 90th anniversary of the death of Sergei Yesenin will be celebrated. The poet lived only 30 years. But this short, romantic, reckless and vibrant life left a deep mark on Russian poetry. For almost a century, Yesenin's poems have been loved in Russia. At the same time, not only his work is of interest, but also everything that the poet lived and touched in some way.

Pistachio cake. Matryoshka. What Nadia had breakfast on the day of the elephant reception. There were fables. Complete the sentence. Who had Pashka on his head on the first day? Anemones. Find the unnecessary in the statement. Who is hiding under the pseudonym Maxim Gorky. Choose the correct answer. M. Gorky. Test yourself. The largest elephant. What was the name of the nanny from the story of K. G. Paustovsky. V. V. Bianchi.

"Life and Work of Nosov" - I love Nosov for a long time. Whoever reads Nosov will not cry. "The Adventure of Dunno and His Friends." Nikolai Nosov's stories have been translated into many languages \u200b\u200bof the world. Was born in Kiev in 1908. Funny books by a cheerful author. Nikolay Nosov's awards. Stories. Films were shot based on N. Nosov's scripts. Nikolay Nosov is a cheerful children's writer and a great dreamer.

"Quiz based on the works of Marshak" - What is the name of the poem, which S. Ya. Marshak translated. Quiz based on the works of Samuil Yakovlevich Marshak. The heroine of which work belongs to the following order. Continue the poem, remember its title. Exhibition of Marshak's books. On what street the absent-minded person lived. The hero of which Marshak's poem belongs to the following words. The hero of which poem is described by the following lines.

"Questions about literary reading" - Choose the correct answer. What is the name of Blaginin. A. L. Barto. What poem belongs to S. Ya. Marshak. Inner world hero. Test yourself. Who is the author of the poem "Parting". Poetic notebook. Find "Superfluous" in this list. What poem was written by E. A. Blaginina. What is Mikhalkov's name. Find out the work by keywords. Gamma. Learn the poem by its description. Who wrote the poem "Kitten".

"Composing an essay" - Drawing up a plan. How many shots will we need to take. Ability to build text. Oral composition of the story. Texts for groups. Narrative text. Physical education. Drawing up an essay plan. Repetition of what was learned about the types of speech. The choice of the title of the essay. Write down your essay. Questions to the text. Primary school of the XXI century.

“How good to be able to read” - There are also guys who read only a textbook. Are the parents interested in reading the child. The book teaches you to think. Do you keep a reading diary? The child is interested in reading not only as a source of new knowledge. Reader's diaries. Sayings about books and reading. Reading studies. How much time the student spends on additional reading. Reading technique is very important. A person expands his horizons at times.

In the 92nd year, the son of the poet Sergei Yesenin, Alexander Yesenin-Volpin, passed away. Having inherited the rebellious spirit of his parents, he lived a long and colorful life. "VM" tells about his fate and remembers other children of the poet.

A year ago he was shown on TV: in a pale, thin old man it was impossible to recognize the features of a golden-haired poet; and it was also difficult to recognize the famous dissident. He was pestered with questions about his father; the old man clearly wanted to sleep. And suddenly - a glimpse, a joke, a sharp word. Alexander Sergeevich seemed to be on fire ... And it immediately became clear what he was. Amazing, bright ... He passed away quite recently - on March 16.

Different fates

Sergei Yesenin had novels - not to count. And four children. The eldest son, Georgy Izryadnov (from Anna Izryadnova), after school entered the aviation technical school, then went to the army, served in Far East... In 1937 he was shot as a terrorist - he just turned 22 years old.

From Zinaida Reich, Sergei Yesenin had a son Konstantin (1920 - 1986) and a daughter Tatyana (1918 - 1992). They also had a chance to sip grief. Konstantin went through the entire Great Patriotic War, earned three Orders of the Red Star. In a peaceful life, he was engaged in sports journalism. Tatiana also became a journalist, author of books about parents and Meyerhold (Tatiana saved Meyerhold's archive by hiding it in the country).

Multifaceted Volpin

About fellow citizens, cows and bulls!

What the Bolsheviks have brought you to ...

... But a terrible war will still begin,

And other times will knock ...

These lines belong to the pen of Alexander Yesenin-Volpin. The person is certainly multifaceted. Talented - on the verge of insanity. He was a well-known mathematician, human rights defender, and dissident.

And also a poet. Although for us, first of all, Alexander Sergeevich Volpin is the son of the great Russian poet Sergei Alexandrovich Yesenin.

There, in the north, the girl too ...

These famous lines from "Shagane" - "There, in the north, a girl too. She looks terribly like you. Maybe he is thinking about me ... ”- dedicated to Nadezhda Volpin, the poetess. Sergei Yesenin had a vivid romance with her, which never grew into marriage.

She was too rebellious, Nadezhda. The poet met her in a cafe on Tverskaya in 1919. It was the second anniversary of the October Revolution; in honor of the holiday, the poets gathered to read poetry. And Sergei suddenly "turned on the star", as they would say now. He said: "I don't want to speak!" Then a fan of his work, the beautiful Nadenka Volpin, approached him. And she asked - to read the poems! Sergei replied: "For you - with pleasure!" I read poetry, was successful ... They began to meet, but at first Nadezhda did not respond to Yesenin's advances. All of Moscow gossiped about his Don Juan list. And Nadezhda was a girl of strict rules. He presented her with a book with an ambiguous signature: "Nadezhda Volpin with hope." And she later wrote in her memoirs about how he besieged her for three years. She gave herself to Yesenin in the spring of 1922, which Yesenin told about in a drunken company. "I crushed this peach!" - boasted.

And she replied: "Crush a peach for a short time, and you gnaw the bone with your teeth!" "Ruffled!" - Yesenin laughed. Such was the relationship. Love-hate. They quarreled over poetry.

Yesenin even thought about marrying the rebellious Nadenka, but demanded that she leave poetry. When she confessed to him that she was pregnant, Sergei did not show joy. He already had children ... Proud Volpin left for Leningrad and gave birth to a boy on May 12, 1924. Yesenin saw him only once. Nadezhda broke off all relations with the poet.

Dissident

The son of Yesenin and Volpin fully inherited the rebellious spirit of his parents. In 1949 he became a candidate of mathematical sciences, then he was arrested for the first time for writing "anti-Soviet poems" and sent for compulsory treatment to a psychiatric clinic ... The asylum was replaced by exile to Karaganda. But it was impossible to break him. When he returned, he began to engage in human rights activities. And again he was treated. And so - for more than ten years. Then - exile.

In 1972, Volpin emigrated to the United States, where he worked at the University of Buffalo, and then in Boston. He professed skepticism: he denied all theories that cannot be scientifically confirmed. Because Volpin was a brilliant mathematician. And he did not take anything on faith. Dissident Vladimir Bukovsky once said that the illness for which Volpin was treated all his life is called pathological truthfulness. Alexander Sergeevich Volpin was going to live 120 years. But he died at the age of 92. God grant, as they say, to everyone ...

For Moscow, Yesenin is the dearest and closest poet of those changeable and exciting years of the early 20th century, which were called the Silver Age of Russian poetry and culture. And for the poet himself, this city was both "Love Capital" and "Moscow tavern", and a living organism full of human feelings and contradictions, both understandable and mysterious. Yesenin loved Moscow and considered it a native city in spirit. He was going to die in Moscow ...

17-year-old Yesenin, young and attractive, very bright (according to the recollections of close friends), arrived in Moscow after graduating from the teacher's school, in 1912. His father worked for many years as a clerk in a butcher's shop and hoped to get his son a “warm place”. Yesenin Sr. rented an apartment at Bolshoi Strochenovsky lane, 24... Sergey lived here for almost a year, while he worked in a shop with his father. This house became the site of his only Moscow residence permit from 1912 to 1918. The building has been preserved, now it is located : small, intimate and, in its own way, very cozy - one memorial room.

The young poet, romantic and dreaming of literary glory, was a stranger to working at the meat counter and, to the disappointment of his father, he left both the shop and the apartment. Moscow friends from the Surikov music and literary circle found him a suitable job as a proofreader in Typography Sytina on Pyatnitskaya, 71/5... Soon the first publication of the poet appeared in the children's magazine Mirok, published by Sytin: the poem "Birch". The building of the printing house has also been preserved and, despite the modern decoration and completion of the upper floor, it looks almost the same as at the beginning of the 20th century. IN chernyshevsky lane, 4/2 located Meyer's house, in the wing of which a branch of the S. A. Yesenin Museum was opened. According to the memoirs of a contemporary, it used to be a literary cafe of the Surikov literary circle, which the poet visited.

In 1913 Yesenin became a student of the historical and philosophical Shanyavsky Moscow City People's Universityon Miusskaya square, 6.Currently, this is the premises of the Russian State University for the Humanities. In Tyoply Lane, 20 (now - Timur Frunze Street) lived the family of the common-law wife of Sergei Yesenin - an employee of the same Sytinsk printing house Anna Izryadnova. The poet accompanied Anna here after their meetings and general visits to the university and the circle. A good family did not come out of their couple: a simple artless girl, Anna did not enjoy the attention of her beloved for long. They soon parted, despite the birth of a son, Yuri (George) in December 1914.

In 1994, in the apartment where Anna lived with her son after parting with Yesenin, at lane Sivtsev Vrazhek, 44, apt. fourteen, by the efforts of the People's Artist of the USSR Sergei Nikonenko, the Yeseninsky Cultural Center was created A.R. Izryadnova Museum-Apartment... The poet's ex-wife lived in this apartment for 20 years, her son Yuri, who was shot in 1937, was taken away from her, under false slander. Here, visiting his son, Sergei Alexandrovich himself visited more than once, and his mother Tatyana Fedorovna Yesenina visited.

On his next visit to Moscow, Yesenin lived for some time at the "Lux" st. Tverskoy, 10... The matured poet became, by this time, a more sophisticated person: he saw the revolution and Petersburg, met many poets and famous people... The first poetry collection "Radunitsa" brought him well-deserved fame and popularity. In the northern capital, he married an employee of the political newspaper Zinaida Reich, with whom he also quickly parted, but divorced only in 1921.

In Moscow, Yesenin rushed with renewed vigor into literary creation: by 1919, the poet's rapprochement with the Imagists dates back to. On Tverskaya street, house number 37there was a cult cafe of the Imagists "Stall of Pegasus" with a bright original interior, from which, unfortunately, nothing remained. But the building of the bookstore "Imagist store" has survived in the house on Bolshaya Nikitskaya, 15... Yesenin and his new close friend, poet and writer Anatoly Mariengof jointly owned the bookstore. According to the recollections of friends, Yesenin, irresistible in his dandy suit, enjoyed success with buyers and quite successfully sold his poems. The two friends rented three rooms in a communal apartment No. 46 at Bogoslovsky lane, 5 and they were visited by all the creative talents of the capital of that time. Now the lane is called Petrovsky. The house has survived, and a memorial plaque has been installed on it.

“Positive” addresses of Yesenin places, when he was enthusiastic and spontaneous in a youthful manner, committed his “literary blasphemy” with his friends, delighted listeners with incredibly sonorous and picturesque images of his poems and where he was truly happy, there are enough in the capital. Seething energy and passion attracted him to express himself everywhere and traces of the "Moscow mischievous reveler" were imprinted somewhere in the special annals of the city's memory incomprehensible to people.

IN House of Press on Nikitsky Boulevard, 8a / 3 Yesenin took part in evenings and discussions of fellow writers, and often spoke to the public. Now this building houses the Central House of Journalists. There are many such "creative" addresses of Yesenin in Moscow. This is organized by Bryusov in the former Sollogub Manor, Higher literary and art institute on st. Povarskoy, 52.Now the address of the surviving house: Tsvetnoy Boulevard, 22. This House of Scientists, 16, now - the Club of the Russian Academy of Sciences. it Proletkult Club on Vozdvizhenka, 18, arranged in the "Mauritanian Palace" of the merchant Morozov. The poet even lived for some time in the house at the Proletkult theater.

Yesenin had to visit more than once Tverskoy, 25,where the Russian and Moscow associations of proletarian writers were located. Here Yesenin spoke to colleagues in the shop. In this building at the beginning of 1926, a meeting was held on the issue of perpetuating the memory of the poet, and later the first museum of Sergei Yesenin was opened. It did not last long: the actions of ill-wishers began to desecrate the Yesenin heritage.

Not far from the Herzen House, on Tverskoy Boulevard located , to the favorite and revered poet Yesenin. Sergei Alexandrovich, whenever possible, visited the square in front of the monument, and for Pushkin's birthday he came specially - with flowers and for the sake of poetry, which he listened to and read himself. During the funeral, the coffin with Yesenin was carried three times in a circle around the Pushkin monument. This is how the disconsolate fans expressed their sorrow and love.

In the workshop of theatrical artist Georgy Yakulov at Bolshaya Sadovaya street, house number 10, better known for the fact that there is a "bad" Bulgakov's apartment, the poet met the American dancer Isadora Duncan. 26-year-old Yesenin and 42-year-old "divine Barefoot" were carried away by each other at first sight. They lived in the Balashov mansion on st. Prechistenka, 20,where the rehearsal hall of the ballerina Alexandra Balashova was used to train the famous “modern dance” enthusiast with Moscow children. In May 1922, the lovers registered their marriage at the Khamovnichesky registry office at Maly Mogiltsovsky lane, 3... At the Zimin Theater on Bolshaya Dmitrovka, 6 Isadora often performed in front of the admiring Moscow audience and the poet, accompanying his wife to all performances, was waiting for her in the box. Now this building belongs to the Operetta Theater on Bolshaya Dmitrovka.

The life of the lovers was not distinguished by complete harmony, and quarrels between them began almost immediately. Not wanting to sometimes come to Isadora while drunk or after another scandal, Yesenin spent the night with friends and acquaintances. IN Oruzheiny Lane, 43 his good friend and friend, journalist Ivan Ivanovich Startsev, was always ready to receive him. He arranged for the poet in the room of his apartment on the 8th floor of a building that was considered a skyscraper on the scale of Moscow in those years. Yesenin often visited here even later - in 1924, but considered it inconvenient to embarrass the Startsev family.

After returning from a trip abroad, the couple returned to Prechistenka, but their relationship, which had never been serene, became completely unbearable. Yesenin moved to the apartment of his secretary Galia Benislavskaya, who had been in love with him since 1920. Bryusov lane, 2 , the poet lived for almost a year and a half. Later his sisters Katya and Shura moved here to live with the poet. Yesenin came here drunk, after fights, scandals and fights. He was pitied, treated and patiently waited after new adventures.

On st. Pokrovka, house number 9 lived Valentin Volpin, a cousin of the poetess Nadezhda Volpin, with whom Yesenin had an affair, which ended in May 1924 with the birth of his fourth child, the son of Alexander. Despite the difficult relationship between his sister and the poet, Valentin was friends with Yesenin since his service in Tashkent, where they met in 1920.

After a divorce from Isadora Yesenin in 1925, he married Sofya Andreyevna Tolstaya, the granddaughter of the famous writer. The newlyweds settled in the house No. 3 in Pomerantsevoy lane... This marriage was not happy: the poet did not have particularly hot feelings for his wife, drank a lot and often spent the night away from home. Many relatives believed that he was greatly impressed by the relationship of his wife with, and therefore the marriage took place. Aristocratic sophisticated and restrained, Sophia in love forgave her husband and pitied him.

Yesenin's “easy walk”, which “every dog \u200b\u200bknows” in the elm city, was out of the question: the memory of other traces of the poet began to remain on the streets of Moscow. Long-term struggle with difficult conditions of creative life and violent temperament made themselves felt. After incessant binges, scandals and her husband's attempts to commit suicide, Sofya Andreevna obtained from Yesenin consent to treatment "for nerves" in the paid neuropsychiatric clinic of Professor Gannushkin, but the poet, without having completed the treatment, fled to St. Petersburg, and from there he was brought already in a coffin.

Farewell to Yesenin took place in the House of the Press on

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Dear guests and community members!
I invite you to take part in a quiz on the life and work of Sergei Yesenin.
Test your knowledge!

If you wish, you can make playcasts with your answers.
In this case, everyone who has done the work will receive a gift!
Let's go!

1. Where did Sergey Yesenin come from?

2. What lines belong to Yesenin's pen?

* "Hours and days are running ... still the lot of exile
As a prisoner, the dungeon burdens me,
But I already dream of a blissful moment of goodbye,
And a gentle voice repeats about joys ... "

* "The sun sank into the clouds sadly
The sad aspen does not tremble,
The sky was reflected in a muddy puddle,
And all over the familiar torment ... "

* “Again I see the familiar cliff
With red clay and willow twigs,
Red oats are dreaming over the lake,
It smells like chamomile and honey from wasps "

3. Name the first poem of Yesenin that appeared in print?

4. Meeting with which poet determined the poet's work?

5. Which famous dancer was Yesenin's muse?

6. What tree became the national poetic symbol of Russia, thanks to the poet Yesenin?
Willow
Bird cherry
Birch tree

7. What is the main element of Yesenin's creativity?

Nature
Philosophy
Caucasus

8. What was the name of Yesenin's first poetry collection?
"Radunitsa"
"Treryadnitsa"
"Transfiguration"

9. Who is the author of these words?
"Sergei Yesenin is not so much a person as an organ created by nature exclusively for poetry, to express the inexhaustible" sorrow of the fields ", love for all living things in the world and mercy."

10. From which poem this passage:

11. In what periods of time was Yesenin a member of the Imagist group?
In 1919-1923
In 1916-1918
In 1920-1923

12. What are the favorite trees of the poet?
Rowan, linden, bird cherry
Willow, maple, pine
Oak, alder, spruce

13. In which periodical were Yesenin's poems first published?

14. What is the name of the poem in which Yesenin talks about the bereavement of the dog of his puppies?

15. Continue the line:

"I do not regret, do not call, do not cry,

All will pass, …."

16. Cite Yesenin's poems, the title of which contains the word "Rus"?

17. Yesenin greeted the revolution with enthusiasm. What works, imbued with a joyful foreboding of the "transformation" of life, appear in him during this period?

18. What are the main directions of Yesenin's lyrics?

19. In what poem does Yesenin call himself a brawler and charlatan?

20. Where does this passage come from?

"Do you remember,

Of course you all remember

How I stood

Approaching the wall

Excitedly you walked around the room

And something sharp

They threw it in my face. "

21. What was the name of the poet's second wife?

22. From which poem this passage:

“In this life, dying is nothing new,

But living, of course, is not new. "

23. Who called Sergei Yesenin "Finished Russian poet"?

The coming 2015 has been declared the Year of Literature in our country. During this period, many different events will take place throughout Russia. One of the most ambitious events will be the celebration of the 120th anniversary of the famous and beloved Russian poet S.A. Yesenin, which will be celebrated on October 3 (September 21) this year. Preparations for celebrations in the cultural institutions of the capital have already begun, and we, in turn, invite you to recall the history of Yesenin Moscow. In total, there are about 300 addresses in the capital where the poet lived, performed or visited. In our article we will tell you about some of them related to the main events in Yesenin's life.

The best thing that I have seen in this world is Moscow after all ...

S.A. Yesenin

The first and only official address of Sergei Yesenin in Moscow was house number 24 in Bolshoy Strochenovsky lane. Here in 1912 the young man came to his father, who for almost three decades served as a salesman in the merchant Krylov's butcher's shop. At the beginning of the 20th century, Krylov was the owner of four buildings. In a two-storey wooden house, built by the architect M. Medvedev in 1891, there was a "Hostel of lonely clerks in the possession of the merchant NV Krylov". Here on the ground floor, in apartment number 6, consisting of 3 rooms, the father of the future poet lived for many years. At first, Alexander Nikitich put his son in a shop as a clerk, but such a career turned out to be unattractive for the aspiring poet, and, after a short time, Sergei quit his job. After a while, he left his father's house, although until 1918 house number 24 in Bolshoy Strochenovsky Lane was officially considered Yesenin's place of residence.

In 1995, on the eve of the 100th anniversary of the poet's birth, a museum was opened in the house where Yesenin's acquaintance with Moscow began. Today, there are exhibits covering all periods of Yesenin's life, from early youth to his tragic death, but most of the exhibition is devoted to the Moscow segment of his life and work. Of all the poets of the Silver Age, Sergei Yesenin was most closely associated with Moscow - almost a third of his life passed here, the first poem was printed and most of his works were created.

For the talented young Yesenin, poetry and a butcher's shop turned out to be incompatible, and the young man began to look for a job more in line with the position of an aspiring poet. For a short time he worked in a bookstore at, then got a job at the printing house of the "ID Sytin Partnership" at. Here he hoped to publish his poems, and even the scanty salary of the sub-reader did not frighten the young man. The proofreader's employees did not immediately discern a talent in him. A short, proud, golden-haired boy, who was christened by the printing house as a "willow cherub", found understanding only from Anna Izryadnova. Yesenin read her poems to her, on weekends they attended classes at Shanyavsky University (the university was located at 6, since 1991 the building is occupied by the Russian State Humanitarian University), listened to lectures on poetry. At the beginning of 1914, young people entered into a civil marriage and rented an apartment near. In December, the young couple had a son, Yuri. Yesenin dedicated a small poem to his firstborn (not intended for publication). The son by birth was already considered a Muscovite, as the Ryazan guy, who recently began to conquer Moscow, proudly writes:

Be Yuri, Muscovite.

Live in the aukai forest.

And you will see your dream in reality.

A long time ago, your namesake Yuri Dolgoruky

I founded Moscow for you as a gift.

In September 1914, Yesenin took the place of a proofreader at the Chernyshev-Kobelkov printing house in (house number 10). By that time, he had already begun to publish. The famous poem "Birch", published in January 1914 in the children's magazine "Mirok", became Yesenin's first work to be published. Then his poems began to appear in other Moscow newspapers and magazines, but it seemed not enough. Shortly before the birth of his son, Yesenin decided to quit his job and devote himself only to poetry. Creativity was hampered not only by work: relations in the family did not develop. Dissatisfied with the literary opportunities in Moscow, leaving his wife and son, in March 1915 the young poet decided to move to Petrograd. He returned to Moscow three years later, but never returned to Anna Izryadnova. After the breakup, the spouses maintained friendly relations, Yesenin sometimes helped and visited Anna Romanovna in her apartment on.

In 1994, in a former communal apartment at Sivtsev Vrazhek, house number 44, apt. 14, where Izryadnova lived with her son Yuri, People's Artist of Russia S.P. Nikonenko created (A.R. Izryadnova Museum-Apartment). Yesenin's first common-law wife lived in this apartment for more than 20 years, his son grew up and was arrested here (shot in 1937), his mother came here in the 1930s, and, finally, the poet himself has been here several times. Before the fatal departure to Leningrad in 1925, as if anticipating trouble, Sergei Yesenin burned his drafts in the apartment of his ex-wife. Now in the Yesenin Center, along with an exhibition dedicated to the life and work of S. Yesenin, in a separate room there is an exposition telling about A.R. Izryadnova.

On July 30, 1917, S. Yesenin married Zinaida Reich. At first, the young people lived in Petrograd in Zinaida's apartment, but family life again did not develop, and the very spiritual atmosphere of the city on the Neva was alien to the young poet. In 1918, Yesenin decided to return to Moscow, and Zinaida Reich, pregnant with her daughter Tatyana, went to live with her parents in Orel.

Yesenin, 23, returned to Moscow as a well-known poet. But life was no easier for him than for the others. The young fashionable poet first settled in the hotel "Lux", now (house number 10), then moved to house number 19. From time to time he lived in the studio of the sculptor Sergei Konenkov, then with other friends and acquaintances - whoever had it.

At this time, Yesenin became close friends with Anatoly Mariengof. Since 1919, the friends began to rent apartments together and live "one house, one money." The young people settled in house number 3 (now Petrovsky lane, house 5, building 9) - the former house of the merchant Alexei Bakhrushin, a famous philanthropist and collector of theatrical antiquity, next to (currently). In apartment No. 46 the poets occupied three rooms, one of which was a former bathroom. According to A. Mariengof's recollections - the best place in the apartment: "We covered the bath with a mattress - a bed; a sink with boards - a writing table; a column for warming water was heated with books. The heat from the column inspired the lyrics ..."

At that time, almost all the creative elite of the Silver Age gathered at the apartment of friends.

In memory of those years, a memorial plaque with a bas-relief of the poet and the inscription: "In this house from 1918 to 1923, the outstanding Soviet poet Sergei Alexandrovich Yesenin lived and worked" was installed on the building.

Under the influence of Mariengof, one of the founders and theorists of Imagism (a literary movement where the image comes to the fore, and form and content are reduced to it), Yesenin also became interested in the fashionable direction. At that time, writers themselves opened shops and sold their own books and autographs. The bookstore also appeared among the imagist poets. In the "Shop of Imagists" on (house No. 15), dapperly dressed Yesenin sometimes stood behind the counter himself. His poems sold out especially quickly.

Another project of the Imagists was the literary cafe "Pegasus Stall" at 37. Earlier it was called "Bom" and belonged to the popular eccentric clown M. Stanevsky, who works in the famous duet "Bim-Bom" (Radunsky-Stanevsky). In 1919, Imagist poets took over. The theater artist Georgy Yakulov, who designed the establishment, placed an unusual sign over the entrance - there was a pegasus in the middle in the clouds, and the name of the cafe "hovered" around in a flying intricate font. Inside, on ultramarine walls, portraits of the Imagists were sketched in bright yellow paint. Under the portrait of Sergei Yesenin there was a quote:

The wise gardener cuts - autumn

My head is a yellow leaf.

The portrait of A. Mariengof was decorated with a quatrain:

In the sun with a fist bang

And you are there - every dog's hair is a flea,

Crawling picking up the pieces

Broken enema.

The bohemian audience of that time - poets, writers, artists, artists gathered in the cafe-club. There have been both semi-criminal and criminal elements, and the "undercut bourgeois". Yesenin, known throughout the capital for his scandalous antics, once led one visitor out of the cafe literally by the nose. The poet did not like that the man spoke louder than the speaker Rurik Ivnev. Without thinking twice, Yesenin took him by the nose, led him across the hall and put him out the door. Oddly enough, but after this incident, the number of visitors in the cafe only increased.

It should be said that quite close to the "Pegasus Stable", there was a cafe of futurists - opponents of the imagists.

In the 1930s, Tverskaya Street was reconstructed. And now it is only approximately possible to designate the place where the cafe "Stable Pegasus" was located - in the area of \u200b\u200bhouse number 17.

For several years, Yesenin and Mariengof were inseparable. They traveled together, performed at various evenings, made friends with the same people.

On October 3, 1921, on the 26th birthday of Sergei Yesenin, a cheerful company gathered at the famous theater artist Georges Yakulov. His workshop was located in apartment # 38 by 10. This house is now better known for another apartment, which, with a light hand, began to be called "bad". The world-famous American dancer Isadora Duncan performed at the party. According to those present, the ballerina fell in love with Yesenin at first sight. By that time, Yesenin and Zinaida Reich already had two children, but, like the first marriage, this one did not work out. On the evening of meeting Isadora, Duncan, the poet and the great "barefoot" fled from Bolshaya Sadovaya to Isadora in a mansion on. They say that the rather short journey from Bolshaya Sadovaya to Prechistenka took much more time than usual. The asleep cab driver drove around three times, to which Yesenin jokingly remarked that the driver had married them like that. But officially they became husband and wife in the spring of 1922. Isadora Duncan needed to go abroad on tour, she could not go without Yesenin. In order not to create unnecessary problems on the trip, it was necessary to get married. Yesenin easily agreed to the marriage.

In the latter, at the beginning of the last century, there was a kind of literary club under the leadership of the association of proletarian writers, and in the basement there was a restaurant, loved by the writing fraternity for the discounts provided to them. (In the famous novel by MA Bulgakov "The Master and Margarita" "Herzen's House" is displayed as "Griboyedov's House"). In this house, where Yesenin read "Persian motives" and "Anna Snegina", the first museum of the famous poet was organized with the participation of Sofia Andreyevna Tolstoy-Yesenina. But it did not last long. After the ban on Yesenin's poetry, the museum was closed. Currently, the "Herzen House" is occupied by the literary institute. Gorky. Sadly, no material evidence related to Yesenin has been preserved here.

At the end of this year, the 90th anniversary of the death of Sergei Yesenin will be celebrated. The poet lived only 30 years. But this short, romantic, reckless and vibrant life left a deep mark on Russian poetry. For almost a century, Yesenin's poems have been loved in Russia. At the same time, not only his work is of interest, but also everything that the poet lived and touched in some way.

What is the role of writers' unions now?

- I do not know what the Writers' Union, in which I am a member, is doing now. I am invited there for reporting and election meetings, nothing more. But I still never vote for anyone. I have always been an antisocial element, which I remain to this day.

Is there a hierarchy of talent in our time?

- Previously, in connection with this issue, we all the time nodded to the West. Indeed, in the West, if a person is talented, he walks the steps to success. They know how to distinguish and appreciate talent, because it costs a lot of money, you can make money on it. And in our country, as a rule, the blessings of life were received and are received by those who know how to bend and break through. In Soviet times, the Writers' Union had less than 20% of real writers.

What about today?

- And today we have mourning every day. Here the forests were on fire, disasters constantly happen. At the same time, the logic of present life suggests that this is natural. And then there is no time for writing ...

How do you see our future?

- I am 74 years old, so my future is known. I have already experienced clinical death. Now I don't hear anything and speak, as you can see, with difficulty. As for the rest, then this should be asked about who is called God. A very tense situation has now emerged in the world. It seems that everything is hanging by a thread, there is an insane acceleration of technical progress. The earth is overpopulated with people. And it is not necessary to blame only politicians for all troubles. Politics is an effect, not a cause. Man himself destroys his environment. Look, as a result of not taking action on time, half of Central Russia burned out.

And what will happen to literature?

- Literature will also burn. Everything is very simple here. And no fate has anything to do with it. The eccentric Mikhail Bulgakov wrote: "Manuscripts do not burn." It is not true. They are burning, and how! Here's a good example for you: how much is left of the great Greek civilization?

InterviewedVladimir SHEMSHUCHENKO, ST. PETERSBURG

Comment \u003e\u003e\u003e

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Dear guests and community members!
I invite you to take part in a quiz on the life and work of Sergei Yesenin.
Test your knowledge!

If you wish, you can make playcasts with your answers.
In this case, everyone who has done the work will receive a gift!
Let's go!

1. Where did Sergey Yesenin come from?

2. What lines belong to Yesenin's pen?

* "Hours and days are running ... still the lot of exile
As a prisoner, the dungeon burdens me,
But I already dream of a blissful moment of goodbye,
And a gentle voice repeats about joys ... "

* "The sun sank into the clouds sadly
The sad aspen does not tremble,
The sky was reflected in a muddy puddle,
And all over the familiar torment ... "

* “Again I see the familiar cliff


It smells like chamomile and honey from wasps "

3. Name the first poem of Yesenin that appeared in print?

4. Meeting with which poet determined the poet's work?

5. Which famous dancer was Yesenin's muse?

6. What tree became the national poetic symbol of Russia, thanks to the poet Yesenin?
Willow
Bird cherry
Birch tree

7. What is the main element of Yesenin's creativity?

Nature
Philosophy
Caucasus

8. What was the name of Yesenin's first poetry collection?
"Radunitsa"
"Treryadnitsa"
"Transfiguration"

9. Who is the author of these words?
"Sergei Yesenin is not so much a person as an organ created by nature exclusively for poetry, to express the inexhaustible" sorrow of the fields ", love for all living things in the world and mercy."

10. From which poem this passage:

11. In what periods of time was Yesenin a member of the Imagist group?
In 1919-1923
In 1916-1918
In 1920-1923

12. What are the favorite trees of the poet?
Rowan, linden, bird cherry
Willow, maple, pine
Oak, alder, spruce

13. In which periodical were Yesenin's poems first published?

14. What is the name of the poem in which Yesenin talks about the bereavement of the dog of his puppies?

15. Continue the line:

"I do not regret, do not call, do not cry,

All will pass, …."

16. Cite Yesenin's poems, the title of which contains the word "Rus"?

17. Yesenin greeted the revolution with enthusiasm. What works, imbued with a joyful foreboding of the "transformation" of life, appear in him during this period?

18. What are the main directions of Yesenin's lyrics?

19. In what poem does Yesenin call himself a brawler and charlatan?

20. Where does this passage come from?

"Do you remember,

Of course you all remember

How I stood

Approaching the wall

Excitedly you walked around the room

And something sharp

They threw it in my face. "

21. What was the name of the poet's second wife?

22. From which poem this passage:

“In this life, dying is nothing new,

But living, of course, is not new. "

23. Who called Sergei Yesenin "Finished Russian poet"?
Musical and poetic performance

Few poets have a destiny that easily becomes legend. They create this legend themselves - during their lifetime. This is how the two great Russian poets of the 20th century, Sergei Yesenin and Vladimir Vysotsky, created their destiny. They have no equal in expression, emotional intensity, drama of the verse, and this brings them closer, puts them side by side. Yesenin and Vysotsky are also united by a pronounced singing, musical beginning ...

"His songs are sung everywhere - from our trustworthy living rooms to the prison." So in 1925 the Soviet classic Leonid Leonov wrote about Yesenin. But the statement can be fully attributed to Vysotsky. Both are self-made people. Through their poetry, music and musicality, we will talk about their life and destiny.

The evening will feature civil-patriotic lyrics by S. Yesenin and military songs by V. Vysotsky.

Is speaking Vyacheslav Grigoriev.

Ticket price - RUB 250

Tickets can be purchased at the museum box office or online. The number of tickets is limited.

To buy a ticket

Venue - B. Strochenovskiy lane, 24, building 2

Directions: metro Serpukhovskaya 9, Dobryninskaya 5 or Paveletskaya 2 (further 5-10 minutes on foot).

“Completely Russian poet”, according to the apt expression of M. Gorky, - Sergei Yesenin is a subtle master, lyricist, devoted all his work to his homeland - Russia.

The quiz "Yesenin's Creativity" contains 12 questions. All questions are answered.

Quiz Creator: Iris Revue

1. What lines belong to Yesenin's pen?

"Hours and days are running ... still the lot of exile
As a prisoner, the dungeon burdens me,
But I already dream of a blissful moment of goodbye,
And a gentle voice repeats about joys ... "

“The sun has sunk sadly into the clouds
The sad aspen does not tremble,
The sky reflected in a muddy puddle,
And all over the familiar torment ... "

“Again I see the familiar cliff
With red clay and willow twigs,
Red oats are dreaming over the lake,
It smells like chamomile and honey from wasps "+

2. What tree became the national poetic symbol of Russia, thanks to the poet Yesenin?
Willow
Bird cherry
Birch +

3. What is the main element of Yesenin's creativity?
Nature +
Philosophy
Caucasus

4. What was the name of Yesenin's first poetry collection?
"Radunitsa" +
"Treryadnitsa"
"Transfiguration"

5. Who is the author of these words?
"Sergei Yesenin is not so much a man as an organ created by nature exclusively for poetry, to express the inexhaustible" sorrow of the fields ", love for all living things in the world and mercy."
Answer: A.M. Bitter

6. In what periods of time was Yesenin a member of the Imagist group?
In 1919-1923 +
In 1916-1918
In 1920-1923

7. What are the favorite trees of the poet?
Rowan, linden, bird cherry +
Willow, maple, pine
Oak, alder, spruce

8. In which periodical were Yesenin's poems first published?
Answer: In 1914, Yesenin's poems were first published in the children's magazine "Mirok".

9. Was Yesenin inherent in "anthropomorphism" (endowing human qualities of animals, objects, phenomena)
Answer: Yesenin developed his own, special, Yesenin "anthropomorphism":

10. Cite Yesenin's poems, the title of which contains the word "Rus"?

Answer: "Oh, Rus, flap your wings"
"Soviet Rus"
"Goy you, Russia, my dear"
"Rus leaving"

11. Yesenin greeted the revolution with enthusiasm. What works, imbued with a joyful foreboding of the "transformation" of life, appear in him during this period?

Answer: "Jordanian dove"
"Inonia"
"Heavenly Drummer"

12. What are the main directions of Yesenin's lyrics?
Answer: nature, homeland, village; folklore, universal, philosophical, evangelical motives

A poem by S. Yesenin was found in the KGB archives

Readers will remember that by the Decree of the President of the RSFSR, the archives of the USSR State Security Committee are transferred to the State Archives of the Republic, and, as we have already reported, a special commission of archive workers with the participation of People's Deputies was created in Tomsk, which took up the solution of this issue. And today again about the archives.

As in recent years, employees of the Department, now the Ministry of Security and Internal Affairs (MBVD) of Russia, together with a large group of historians, journalists, members

historical and Educational Society "Memorial" continues to develop the archive, regularly publishing on the pages of newspapers and magazines the most interesting and valuable historical and cultural materials and documents. And the West Siberian newsreel studio, based on archival criminal cases, filmed last year and has already shown on Tomsk television a documentary film “The End of the Noble Nest. Unknown terror. "

Another result of the development of the archive was the publication of the Book of Memory of Tomsk citizens repressed during the years of Stalinism "Human Pain". Taking this opportunity, I note that in the coming days the second volume of the book will be published.

But, noting this, it is necessary, apparently, to immediately make a reservation. A certain part of the population, mainly representatives of the creative circles, has the opinion that hundreds and thousands of works of literature and art are hidden in our archives, confiscated during arrests during the years of repression from representatives of the creative intelligentsia. But this is far from the case. Very, very rarely it is possible to find autographs or previously unpublished works. This is how the repressive apparatus acted - after the end of the investigation, the absolute majority of the seized materials were destroyed.

And yet, from time to time, it is possible to discover something. So today we have ventured to offer poems with the signature “S. Yesenin ". As a result of the research carried out, it has been established that this autograph is known, is a copy, and, possibly, does not belong to the pen of S. Yesenin. But, given the presence of different points of view of experts on authorship (some acknowledge the authorship of S. Yesenin, others deny), we decided to submit these poems for publication.

V. Uymanov,

office employee AFB RSFSR in the Tomsk region.

Letter to Evangelist Demyan Bedny from S. Yesenin

I often think why he was executed!

For being the enemy of Saturday,

He is against all rot

For the fact that the proconsul of Pilate is in the country,.

Where both light and shadow are full of the cult of Caesar, -

He's with a bunch of little poor fishermen

For Caesar he recognized only the power of gold;

For the fact that, tearing myself apart,

He was merciful and sensitive to the grief of everyone,

And he blessed everyone, painfully loving,

And small children and dirty prostitutes.

I do not know, Demian, in your "Gospel"

I found her a truthful answer.

It has a lot of lively words (oh, how many of them there are).

But there is no word, a worthy poet.

I'm not one of those who recognize priests,

Who unaccountably believes in God,

Who is ready to break his forehead,

Praying at every church door

I do not like religion pa,

Submissive from century to century,

And my faith in miracles is weak -

I believe in the knowledge and strength of man.

I know that, striving for the right path,

Here on Earth, without parting with the body,

Not us, so someone has to get there

Truly to divine limits.

And yet, when I read in Pravda

The untruth about Christ of the lascivious Demian -

I felt ashamed as if I got hit

Into vomit, erupted by drunkenness.

May Buddha, Moses, Confucius and Christ -

A distant myth; we understand this,

But still you can't, like a one-year-old dog

We bark at everyone and everything.

Christ - the son of a carpenter, was once executed -

Let it be a myth, but still, when a passer-by

I asked Him: "Who is He?" He answered him:

"Son of man" and did not say "son of God."

Let the myth of Christ, as the myth was Socrates.

So what! From this it is necessary in a row

Don't give a damn about what is holy in a person?

You have experienced, Demyan, only one arrest,

And you whine: "Oh, a cruel cross fell to me!"

And this is when they gave you the cross of Golgotha

Or a bowl of caustic whip?

You had enough greatness to the end

In the last hour, following their example too

Bless the whole world under the crown of thorns

Or teach about immortality on the deathbed?

No, you, Demian, did not offend Christ,

You haven't hurt him in the least;

There was a robber, Judas was,

You were just missing!

You dug your nostrils for blood clots at the cross,

Like a fat hog

You just grunted at Christ

Efim Lakeevich Pridvorov.

But you have committed a double grave sin -

With your cheap bullshit -

You insulted poets free shop

And he covered his small talent with shame.

After all, there, abroad, after reading your poems,

Probably, Russian whoops are gloating:

“Another plate of Demyanova's fish soup,

Neighbor, my light, eat! "

And the Russian peasant, reading Poor Note,

Where the exemplary verse was printed in doublet

Will reach for Christ even more desperately

And the "mother" will send "communism" at the same time.

Yesenin's answer to Demyan Bedny

In the spring of 1925, the Union of Atheists, in 11 issues of Pravda and at the same time in the newspaper Poornota, published the poem "The New Testament without the Flaw of Evangelist Dem-Yan." The author of this poetic mockery of the Holy Scripture was Efim Alekseevich Pridvorov, he is also Demyan Bedny, - by his own description, "a harmful man." Soon this paradia came out as a separate edition. This was a "worthy crown" of an unprecedented campaign of persecution and repression against the Orthodox Church and other religions.

Today it is even a shame and terrible to think about it. The authors of the article about the life and work of Demyan Bedny in the excellent bibliographic dictionary "Russian Writers", published in 1990 by the publishing house "Prosveshchenie", obviously, for these reasons, they did not say a word about these shameful pages life and work of Demyan Bedny.

At that time, Galina Benislavskaya, with whom Yesenin lived, worked in the newspaper "Bednota". He received the freshest information from the first mouth. The creation of Demyan Bedny caused a sharp rejection of Yesenin, who by this time, according to the apt expression of Georgy Ivanov, woke up from the frenzy of the revolution. Thanks to the singer Malinin, everyone knows the Yesenin words written after returning from abroad: “I am ashamed that I didn’t believe in God, it’s bitter for me that I don’t believe now”.

Yesenin's new views differed from the dominant ideology. “I cease to understand what revolution I belonged to. I see only one thing, which, apparently, is neither February nor October. Some November was hiding and hiding in us, ”he wrote to Kusikov. Yesenin had something to hide. Yesenin's descendants believe that the social and political motives in Yesenin's verses after his return from abroad were aimed at concealing the poet's true views.

In the middle of the 25th year, among the literary world of Russia, the verses "Answer to Evangelist Demian" began to spread in the lists. Everyone knew them as Yesenin's poems. Three months after Yesenin's tragic and mysterious death to this day, his sister Katya hastened, without convincing arguments, to publicly renounce Yesenin's authorship of "Answer ...". Was she in a hurry or was she hurried?

Imagist Matvey Roizman happily informed everyone in the early 70s that the author of these poems, NN Gorbachev, "a graphomaniac with a counter-revolutionary smell" had been found and punished.

But people are still alive who remember that time, have heard and saved the lists of this poem. Some knew Yesenin personally and do not doubt the authorship. They live in Moscow and the Moscow region, in Leningrad, in Vitebsk, Rostov, in Sevastopol and other cities. Last year, the poetess from Istra Yekaterina Kholina, who personally knew Yesenin and the entire poetic world of the 1920s and 1930s, straining her memory, already tired of a long, difficult life, tried to restore its sound for the members of the Radunitsa Yesenin society:

I know life is not so easy

And you're just a fat hog.

You just grunted at Christ

Efim Lakeevich Pridvorov.

Probably, it is the bitingness of the phrase and the boldness of the image that keep them confident in the belonging of this verse to Yesenin.

Some argue that Yesenin's participation was limited only to editing a verse written by another author. And this, obviously, because Yesenin, having engaged in poetic conspiracy, using an unusual size and individual words, could not help but remain himself. And he didn't really want to give his authorship to someone.

No, no, yes, and the Essenian word or image will flicker: “to the divine limits”, “one-year-old dog”, “choked with barking”, “on the deathbed”, etc. The main thing is that the poem sounds from the 1st person, retains Yesenin's position in life, his attitude to Orthodoxy and his non-reconciliation with the author of the parody, previously expressed by the line: “I'm not a canary for you! I'm a poet! And not like some Demyan there. "

Unfortunately, serious research on the poem "Answer to Evangelist Demian" has not yet been done. There are also opponents of Yesenin's authorship.

On the initiative of Book Review (No. 39, 1990), public attention was again drawn to the Answer ... It is positive that, on the basis of multiple variants of the list, the missing lines were restored in the first approximation.

But here's a new find. Working on the Book of Memory, the staff of the Tomsk KGB discovered in the archive another manuscript of "Answer to Evangelist Demyan". Attention was drawn to the signature: “S. Yesenin ". Indeed, the signature in the first three letters retains all the main features of Yesenin's signature of the last years of his life. Then, especially in writing the letter "n", these attributes disappear. What is this - an unskillful forgery? But then why did the author write out the first letters so carefully? And he did not care at all about the accuracy of the ending. Or, more likely, having dashingly started the signature, the writer suddenly remembered the need to hide and ended in a different way.

All the letters in the words are connected - so Yesenin did not write in the 25th year. But ... he knows how to write in conjunction - in his youth he connected everything and, of course, did not forget how to do it!

The handwriting is unstable. There is little similarity in writing letters. But one letter cannot be hidden. Five times the author writes the capital letter "A", in all five cases this letter is written as in Yesenin's letter to Blok, in letters to Panfilov, in the poem "To Pushkin", etc. There is a similarity in the capital letter "I" and some other letters.

Comparing the text of the autograph found with the list that Benoit's grandson Yuri Valeryanovich sent me at one time, one can find few differences. The 23rd line is still missing, which was restored by the "Book Review" and sounded: after "... there was Socrates" ... ".., and he was not in the country of Picat ...". The controversial last line does not sound like in the Paris edition, where it was: "And he will send obscenities to communism in this case."

So there is something to think about for a literary critic and Yeseninologists.

The publication of V.N. Uimanov is undoubtedly a great gift to all lovers of Yesenin in the days of his memory.

Nikolaev V.

In the 92nd year, the son of the poet Sergei Yesenin, Alexander Yesenin-Volpin, passed away. Having inherited the rebellious spirit of his parents, he lived a long and colorful life. "VM" tells about his fate and remembers other children of the poet.

A year ago he was shown on TV: in a pale, thin old man it was impossible to recognize the features of a golden-haired poet; and it was also difficult to recognize the famous dissident. He was pestered with questions about his father; the old man clearly wanted to sleep. And suddenly - a glimpse, a joke, a sharp word. Alexander Sergeevich seemed to be on fire ... And it immediately became clear what he was. Amazing, bright ... He passed away quite recently - on March 16.

Different fates

Sergei Yesenin had novels - not to count. And four children. The eldest son, Georgy Izryadnov (from Anna Izryadnova), after school entered the aviation technical school, then went to the army, served in the Far East. In 1937 he was shot as a terrorist - he just turned 22 years old.

From Zinaida Reich, Sergei Yesenin had a son Konstantin (1920 - 1986) and a daughter Tatyana (1918 - 1992). They also had a chance to sip grief. Konstantin went through the entire Great Patriotic War, earned three Orders of the Red Star. In a peaceful life, he was engaged in sports journalism. Tatiana also became a journalist, author of books about parents and Meyerhold (Tatiana saved Meyerhold's archive by hiding it in the country).

Multifaceted Volpin

About fellow citizens, cows and bulls!

What the Bolsheviks have brought you to ...

... But a terrible war will still begin,

And other times will knock ...

These lines belong to the pen of Alexander Yesenin-Volpin. The person is certainly multifaceted. Talented - on the verge of insanity. He was a well-known mathematician, human rights defender, and dissident.

And also a poet. Although for us, first of all, Alexander Sergeevich Volpin is the son of the great Russian poet Sergei Alexandrovich Yesenin.

There, in the north, the girl too ...

These famous lines from "Shagane" - "There, in the north, a girl too. She looks terribly like you. Maybe he is thinking about me ... ”- dedicated to Nadezhda Volpin, the poetess. Sergei Yesenin had a vivid romance with her, which never grew into marriage.

She was too rebellious, Nadezhda. The poet met her in a cafe on Tverskaya in 1919. It was the second anniversary of the October Revolution; in honor of the holiday, the poets gathered to read poetry. And Sergei suddenly "turned on the star", as they would say now. He said: "I don't want to speak!" Then a fan of his work, the beautiful Nadenka Volpin, approached him. And she asked - to read the poems! Sergei replied: "For you - with pleasure!" I read poetry, was successful ... They began to meet, but at first Nadezhda did not respond to Yesenin's advances. All of Moscow gossiped about his Don Juan list. And Nadezhda was a girl of strict rules. He presented her with a book with an ambiguous signature: "Nadezhda Volpin with hope." And she later wrote in her memoirs about how he besieged her for three years. She gave herself to Yesenin in the spring of 1922, which Yesenin told about in a drunken company. "I crushed this peach!" - boasted.

And she replied: "Crush a peach for a short time, and you gnaw the bone with your teeth!" "Ruffled!" - Yesenin laughed. Such was the relationship. Love-hate. They quarreled over poetry.

Yesenin even thought about marrying the rebellious Nadenka, but demanded that she leave poetry. When she confessed to him that she was pregnant, Sergei did not show joy. He already had children ... Proud Volpin left for Leningrad and gave birth to a boy on May 12, 1924. Yesenin saw him only once. Nadezhda broke off all relations with the poet.

Dissident

The son of Yesenin and Volpin fully inherited the rebellious spirit of his parents. In 1949 he became a candidate of mathematical sciences, then he was arrested for the first time for writing "anti-Soviet poems" and sent for compulsory treatment to a psychiatric clinic ... The asylum was replaced by exile to Karaganda. But it was impossible to break him. When he returned, he began to engage in human rights activities. And again he was treated. And so - for more than ten years. Then - exile.

In 1972, Volpin emigrated to the United States, where he worked at the University of Buffalo, and then in Boston. He professed skepticism: he denied all theories that cannot be scientifically confirmed. Because Volpin was a brilliant mathematician. And he did not take anything on faith. Dissident Vladimir Bukovsky once said that the illness for which Volpin was treated all his life is called pathological truthfulness. Alexander Sergeevich Volpin was going to live 120 years. But he died at the age of 92. God grant, as they say, to everyone ...

White rose with black toad
I wanted to marry on earth
S. A. Yesenin, "I have one fun left ..."

One of the most beloved and revered poets in today's Russia is, without a doubt, Sergei Yesenin.
The phenomenon of this nationwide unquenchable love needs, in my opinion, more thorough study and research.
Not everyone, of course, can specifically answer why and why they like Yesenin so much, why they love him so much and admire his poems; also how far from always loving someone is able to explain the reason for his love. So, the poet's last wife, Sofya Andreyevna Tolstaya-Yesenina, wrote in one of her letters to her mother: “I just fell in love with him all. The rest came later. I knew that I was going to the cross, and I walked consciously, because nothing in my life was a pity. I wanted to live only for him. I gave myself all to him. I am completely deaf and blind, and there is only one. Now he no longer needs me, and I have nothing left. If you love me ... then I ask you, neither in your thoughts, nor in words, never to condemn Sergey and not to blame him for anything. What of the fact that he drank and drunk tortured me. He loved me, and his love covered everything. And I was happy, insanely happy ... I thank him for everything, and I forgive him everything. And he gave me the happiness to love him. And to carry the kind of love that he, his soul, gave birth to in me - this is endless happiness. "Many other women, close and distant, and not only women, were madly in love with Yesenin, and this despite his scandals and drunkenness, inconstancy and incomprehensible from the point of view of elementary common sense actions. Loved Yesenin and the Russian emigration. Songs to his poems were sung by AN Vertinsky, Alla Bayanova and other famous performers who left Russia or were already born outside of it. To date, much more songs have been written to the texts of poems by Sergei Yesenin than, for example, to the works of Pushkin, Lermontov and Nekrasov combined ...
Distinguished by a special intransigence towards the Soviet system and those who served the Council of Deputies with faith and truth, the poet Marianna Kolosova (the one who threatened her former lover, the People's Commissar Valerian Kuibyshev with a Browning bullet - “But I will pry your trace and promise, like an enemy Browning, I'll save a bullet for you ") in a poem dedicated to Sergei Yesenin (" Song of Vengeance "), shows some kind of unusual tenderness for himself, calling the poet nothing more than:" dear "," dear "," elder brother ":
Dear, my elder brother Yesenin,
Your voice is red-hot copper ...
She sees the cause of the poet's tragedy in the poet's excessive gullibility and deceived dreams:
Beauty in harsh October
You have been searching in vain, the dreamer.
I deceived you with deeds and words
Vile cynic and scoffing

The "sun-Lenin" also faded.
It was just a red lantern ...
Eh, Yesenin, you are mine, Yesenin,
Bell towers of the Soviet bell ringer!

Yesenin said many beautiful words about Russia, its nature, the Russian countryside, the people's peasant faith. Yesenin sang passionately both "Red October" and the leaders of the revolution, although only shortly before this period he enthusiastically and affectionately praised the Tsar's Daughters:
In the crimson glow, the sunset is effervescent and penins
White birches burn in their crowns.
Greets my verse to the young princesses
And youthful meekness in their tender hearts ...
and, according to some reports, originally dedicated the collection of poems "Dove" to Tsarina Alexandra Feodorovna.

The poet wrote heartfelt patriotic poems of the wartime ("Mother's Prayer", "Heroic Whistle", "Patterns"):

The Germans threw away their copper caps,
Frightened by the whistle of the heroic ...
Victory holidays rule Russia,
The earth hums from the monastic ringing.
(Bogatyrsky whistle. 1914)
Later, he tried to abandon his patriotic poems, created in the days of the "imperialist war," and he preferred never to remember his sublime poetic dedication to the Tsar's Daughters. But from the song, as they say, you can't throw out the words ...
Yesenin publicly denied his Christian faith in words: "I am not a religious person at all ... I would ask readers to treat all my Jesus, Mothers of God and Mikols, as if they were fabulous in poetry" (1.01. 1924). However, the public rejection of religiosity is just a flower. In some of his revolutionary creations, Yesenin comes down to direct blasphemy and blasphemy, while calling himself a prophet and cursing Radonezh and the "breath of Kitezh." "Body, Christ's Body, I spit it out of my mouth" (Inonia). Where is next !? And at the same time, later, two years before his tragic death (1923), he wrote: "Put me in a white shirt under the icons to die" ...

Not all venerable contemporaries of Yesenin saw in him a great poet. Blok, according to Bunin, said that "Yesenin has a talent for vulgarity and blasphemy." Bunin himself in exile was indignant at the fact that Yesenin was forgiven for all his antics and fall, as well as the praise of the revolution:
“Why did the Russian emigration forgive him everything? For the fact, you see, that he is a bizarre Russian little head, for the fact that every now and then he feigned sobbing, mourning his bitter fate ... I also forgave him for being a "nugget" ...
Zinaida Gippius spoke about Yesenin's poems in the following way: “Daring in all, abundance and revelry - and poems that are now printed everywhere, verses that are uneven, sometimes not bad - sometimes nasty, and a natural, understandable, growth of self-love, - I am supposedly famous, I I will soon be the first Russian poet, - so they "say" ... Yesenin's unattractive position - in this and subsequent period of time - had, of course, its danger, but, in essence, it was very common. And another, at nineteen, would have felt dizzy. For a Russian person, it is especially easy to spin ... "
But the same Gippius previously owned words of praise about the poet: “In Yesenin's poems, some kind of 'spokenness' of words captivates, the fusion of sound and meaning, which gives a feeling of simplicity ... There are no unnecessary words, but there are simply those that are , precise, defining each other .... Yesenin is a real modern poet. "
Gippius's husband, D.S. Merezhkovsky, in Yesenin singled out only "rudeness". A friend of the Merezhkovsky family, D.V. Philosophers, on the contrary, spoke of him at the beginning very flatteringly, as a talented poet from the people. Marina Tsvetaeva says: "He is very talented!" And Anna Akhmatova, apparently, did not like Yesenin: “And I never loved him, but still recognized him. I understood that he was one of those poets who at a certain time are needed by society. " And elsewhere: “He is completely illiterate in places. I don't understand why they made it so inflated. There is nothing in him - just a small poet. Sometimes he still has some enthusiasm, but how vulgar. " However, Akhmatov's pen belongs to the poem "Death of a Poet", dedicated to Yesenin and written in 1960, at the twilight of the poetess's life, when the results of life are summed up and everything is rethought:
The unique voice fell silent yesterday
And the interlocutor of the groves left us.
He turned into a life giving ear
Or into the thinnest rain they sung.
And all the flowers that only exist in the world
They blossomed towards this death
But immediately it became quiet on the planet,
Bearing a humble name ... Earth
The Russian thinker Ivan Ilyin evaluates Yesenin's work very coolly: “And until the Russian people learn to be ashamed of such kloshchunstvo, they will not see great poetry. As long as they like Yesenin's chatter, who blasphemously wrote on the wall of the Passionate Monastery the words: "God, get yourself together!" In another article ("Talent and Creative Contemplation"), the philosopher still refers Yesenin to a number of "talented Russian poets", but believes that in the future we have nothing to take from them. The words about Yesenin of the "great proletarian writer" Maxim Gorky have become very capacious and textbook: "Yesenin is not so much a man as an organ created by nature exclusively for poetry, for expressing the inexhaustible sorrow of the fields, love for all living things in the world and mercy ..." ... So, the range of opinions is obvious. Much is explained by political, ideological reasons, a subjective view of Yesenin's personality. Nevertheless, there is hardly a Russian poetic anthology today in which the name of the poet Sergei Yesenin would be absent.
What captivated, fascinated Yesenin his contemporaries. Let's start with his public appearances. Galina Beneslavskaya, who became a close friend and literary secretary of the poet, recalled her first impressions of Yesenin:
“1920 Autumn. "Trial of the Imagists". Great Hall of the Conservatory. Cold and unheated. The hall is young, lively ... The trial begins. Speak from different groups: neoclassicists, acmeists, symbolists - their name is legion. The defendants are talking, chewing something, laughing ... Suddenly the same boy comes out: a short reindeer jacket unbuttoned, hands in his trouser pockets, completely golden hair, as if alive. Throwing back his head and waist slightly, he begins to read.
Spit, wind, with armfuls of leaves, -
I'm just like you, bully.
He is the whole element, mischievous, rebellious, unrestrained element, not only in poetry, but in every movement that reflects the movement of the verse. Flexible, violent, like the wind that he talks about, but no, that the wind, the wind would have taken prowess from Yesenin. Where is he, where is his poetry and where is his wild prowess - how can you separate. All this has merged into unrestrained impetuosity, and, perhaps, the poems do not capture so much as this spontaneity.
It seems that this is a gust of wind with rain, when the drops do not fall to the ground and they cannot and do not even have time to fall.

Or is it fallen yellow autumn leaves, which with an impatient hand flutters the wind, and they cannot stop and whirl in a whirlpool.
Or is the wind playing with the flame of a fire and fluttering and tearing it into rags, and mercilessly ruffling the rags.
Or is it rye before the storm, when, under the whirlwind, it no longer bends to the ground, but just about, it seems, will break off from the root and rush to no one knows where.
No. This is Yesenin reading "Spit, wind, armfuls of leaves ...". But this is not a hurricane crushing trees, houses and everything that comes across in the way. No. This is precisely the mischievous, rebellious wind, this element is not terrifying, but exciting. And in the one who listens, the same element involuntarily wakes up, and one involuntarily wants to repeat after him with the same boldness: "I am the same as you, a bully."
Then he read "Trumpets, blows the deadly horn! .."
What happened after reading it is difficult to convey. All suddenly jumped up from their seats and rushed to the stage, to him. They not only shouted to him, they prayed to him: "Read something else." And a few minutes later, having approached, already in a fur hat with a sable trim, childishly read again "Spit, wind ...".
Recovering myself, I saw that I, too, were at the stage itself. How I got there, I don’t know and don’t remember. Obviously, this wind caught and whirled me too. "
We find similar impressions of reading Yesenin among many of his contemporaries ...
In close communication with him - bribed shyness, meekness, kindness, love for nature and animals. “… I say, with my hand on my heart, that I have never met such gentleness, meekness and kindness in my life,” Sofia Tolstaya-Yesenina admitted in a letter to her mother dated August 13, 1925. And seven years after the death of her beloved husband, on November 14, 1932, she wrote in her diary such piercing lines: “I saw Sergei in a dream, alive, that he was resurrected. In a dream, he is the same with me as he was in life, when he was sober, amazing, affectionate, quiet, clear. And in a dream I loved him the same way as then, just as endlessly, madly and faithfully .... Today all day I carry in me the radiance of him from my love for him ... Lord, my Seryozhenka, how can I live without him, and think that I live when it is only my rotten, tattered shell lives, and I died with him ". Sergei Yesenin was an interesting conversationalist, sang ditties and danced beautifully, was very demanding of himself professionally, had a phenomenal memory ...
Studying the biographies of the poet and those close to him, you are amazed at the abundance of the tragic, unhappy, and sometimes mysterious. As if the seal of some kind of merciless evil fate constantly gravitated over him, his friends and family. Perhaps that terrible fateful time, the era itself, is to blame for everything. Perhaps, nevertheless, what an awful series of deaths and murders.
Almost a year after the poet's death at his grave on December 3, 1926, his closest friend and associate Galina Benislavskaya (1897-1926) commits suicide. A suicide note is found at the woman who shot herself: “December 3, 1926. I killed myself here, although I know that after that even more dogs will be hanged on Yesenin ... But he and I don't care. This grave is the most precious thing for me. "
In 1930, the father of another poet's muse, Augusta Makloshevskaya, was repressed and shot. On the night of July 14-15, 1939, unknown persons committed a brutal massacre of the defenseless Zinaida Reich, the ex-wife and mother of two children of Sergei Yesenin. Their goal was exclusively murder, not robbery or robbery. The crime remained unsolved.
In 1937, he was arrested on a false denunciation (in preparation for an attempt on Comrade Stalin's life) and on August 13, Sergei Yesenin's son, Yuri (from a civil marriage with Anna Izryadnova), was shot.
Another ex-wife of the poet, the famous American dancer Isadora Duncan, somehow almost synchronously with her ex-husband, died as a result of suffocation with her scarlet long scarf, which accidentally fell into and got entangled in the wheel of her pleasure car. This tragedy happened on September 14, 1927 in Nice. A number of Yesenin's close friends were repressed and destroyed the new government (Alexey Ganin, Ivan Kasatkin, Alexander Voronsky, Nikolai Klyuev, Pyotr Oreshin, Vasily Nasedkin, Ivan Pribludny, Sergey Klychkov and some others). The poet's own sister Ekaterina, as well as the wife of Vasily Nasedkin, was also repressed in 1938 and exiled from Moscow for five years.
Yesenin himself was not published in the Soviet Union for about 30 years. It was forbidden to remember and refer to him. For the discovery of his poems, a very severe punishment was imposed. For example, expulsion from the ranks of the Communist Party or the Komsomol. And, nevertheless, the love of the people overcame all prohibitions and artificial oblivion. And yet, what is behind this nationality and love? Why is Yesenin so attractive?
Most likely, a reflection of many features of Russia itself, its soul and inner essence. Here there is an immense breadth, and daring, and song-like scope, and crane sadness, and ringing Easter joy.
In Yesenin's poems, Christianity resonates with picturesque, almost fabulous paganism, enriched with vivid pictures of nature. The soul of a Russian person will probably always be close to Yesenin's white birches, frozen fallen maples, golden groves, fires of red rowan trees, echoing spring dawns, with white smoke from apple trees ... The poet's poems are saturated with almost tangible colors woven from heartfelt words and harmonies: “Crying a blizzard like a gypsy violin ... "," the hands of a cute couple of swans ... "," the month dropped the yellow reins ... "," the scarlet light of dawn was woven over the lake ... ". A lot of amazing pearls, harmonious light accords and overflows, overpowering and chimes, joyful and sad, loud and quiet. But Yesenin himself is the very embodiment of screaming and soul-tearing contradictions, "but since the devils nestled in the soul, it means that the angels lived in it" ... The poet's quivering childish pure faith in Christ and His saints was replaced by their complete denial of the poet and gave way to political rude trumpets , so not inherent in the soul of the poet.
The periods of ups were replaced by grave falls, after which came the times of self-flagellation and self-abasement. He calls himself a scoundrel, a scoundrel, a hooligan, a scoundrel ... This is almost akin to the earnest repentance of the first Christians - merciless and public, without a hint of self-justification and concealment of their sins. Yes, the poet fell away from God from Christ, otherwise his soul would not have suffered so much, would not have suffered from unbearable melancholy and hopelessness.
Is it not so, and Russia, after the rage of 1917, suddenly turned from the Christ's Bride into the atheist, divided within itself in irreconcilable contradictions, rushed, like a herd of Gadara pigs into the abyss and fell into the very depths of the abyss of disbelief and lies ...
From time immemorial it has been so usual,
That Mother Russia was furious
And my darling will fight back - and to God
Her wounded little legs will carry,
With laments, pleas and moans,
With tears of repentance and bows.
Such was the vision of Russia in a certain period of history to another Russian poet, a contemporary of Yesenin and his namesake Sergei Bekhteev, who, by the way, did not deviate one iota from the bright ideals of Holy Russia until the end of his days ... Maximilian Voloshin wrote a whole cycle of poems about the mass rage of Russia, about the Russian saints said the same: "Demons took possession of the souls of people, and the people of Russia became possessed, literally possessed ..." (St. Theophan of Poltava) ...

Just like Yesenin, Russia periodically fell into unconsciousness, insanity, and seemed to be looking for its own death (According to Yesenin's mother, quoted in his diary of December 30, 1932 by S.A. Tolstai-Yesenin, the poet in the last years of his life tried to die , looked everywhere for his death: "In Baku, in the sea, he rushed to drown himself, how he cried, what a face, his eyes were strange. When he came to the village in the fall ... I immediately noticed that he was crazy. That his forehead and temples ached terribly. What he had fits of rabies ... As he said: "I'm looking for my own death").
You can find a lot of such coinciding anomalies of the poet Yesenin's soul with the soul of a huge country - Russia, if we continue to search for analogies among the falls. But not everything was so gloomy and hopeless, erroneous and reckless ...
"The land of demons and wild orgies, the land of saints, the land of Heaven," Sergei Bekhteev expressed himself remarkably succinctly and accurately about Russia.

(1924 Serbia)
And to the same antithesis of the beautiful and the ugly, the true and the false, the divine and the demonic, the words of Sergey Yesenin's own confession are applicable:
"A red rose with a black toad, I wanted to marry on the ground."
3.02.2014 Voronezh

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