What is the syntactic construction of a sentence. Syntactic constructs


Complex syntactic constructions are unions of parts with different types of syntactic relationship. These are combined offer types; they are diverse in terms of possible combinations of parts in them, but with all their diversity, they lend themselves to a fairly clear and definite classification.
The following types of complex syntactic constructions are possible depending on various combinations of the types of links between parts:
  1. Composing and submission: Lopatin began to fall asleep, @ he was delighted, “ioogdir, the driver appeared at the door and reported, (ftd) the car is ready (K. Simonov).
5 and

For some reason we all remembered, YashD) our Belikov is not married, @ now it seemed strange to us, lt; ftdgt; until now ... we completely lost sight of such an important detail in his life (A. Chekhov).


and
I
(what...) (what...)

Zuev shone with a flashlight, (POISON) the light all dimmed, @ Zuev put it out, To save the last glimmer of fire in an emergency (K. Paustovsky).
and
but
(to ...),
I began to dine in a human kitchen, @ from the former luxury I had only this servant who still served my father and whom it would have hurt me to fire (A. Chekhov).

(which ...) and (which ...)
  1. Essay and non-union communication: My direction is to another unit, (§a) I have lagged behind the train: let me, I think, look at my platoon and my lieutenant (E. Kazakevich).



.

There was not a soul on the street and near the dachas: the old summer residents were already going to bed, @ the young were walking in the grove (A. Chekhov).

But reading, apparently, does not take her well: she drops the book and picks it up again, puts it on her knees and wants to cut the sheets with a head hairpin, but the sheets break and the book falls (N. Leskov).
and
but
Corncrake shrieks in the bushes, beat quails, bitterns hums, the first stars burn, and the dawn smothers for a long time over the distances and mists (K. Paustovsky).
and
, [

  1. Submission and non-union connection: In the woods, on a walk, sometimes, thinking about my work, I am seized by philosophical delight: it seems that you are deciding the conceivable fate of all mankind (M. Prishvin).
(as if ...
says let

In science, lessons must be repeated in order to remember them well; in morality one must remember well the mistakes, lt; then repeat them (V. Klyuchevsky).

Whoever has done a good deed, let the one for whom it was done be silent (Seneca).
There could be no doubt about the fact that this was exactly what happened: orange-yellow glasses were peacefully glowing on his head (M. Sholokhov).

  1. Composing, submission and non-union communication: She listened and looked into his face: her eyes were sad, intelligent, ® it was visible, lt; $ etc.) she wants to tell him something (A. Chekhov).
5

1
(what...)

Litvinov experienced a sensation similar to that which possesses a person, Skogdyuon looks down from a high tower: his entire interior froze, @ his head was spinning quietly and sugary (I. Turgenev).
and
(which ...)
(when...)
And so the all-night vigil was over, everyone quietly dispersed, It was again dark and empty, @ there came the same silence that happens only at stations standing alone in a field or in a forest (A. Chekhov).

and
and
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