When in the anguish of suicide
The people were waiting for the German guests,
And the harsh spirit of Byzantine
I flew away from the Russian church,When the Neva capital,
Forgetting your greatness,
Like a drunken harlot
I didn't know who was taking it, -I will wash the blood from your hands,
I will take out the black shame from my heart
I will cover with a new name
The pain of defeats and offenses. "But indifferent and calm
I closed my ears with my hands
So that this unworthy speech
The sorrowful spirit was not defiled.
Analysis of Akhmatova's poem “I had a voice. He called comfortably ... "
The revolution of 1917 completely changed the life of Anna Akhmatova. By this time, she was already a well-known poet and was preparing her third literary collection for publication. However, it suddenly became clear that her poems were no longer needed by anyone, and all personal savings and a small inheritance from her parents turned into dust. For the first time, Anna Akhmatova, in whose arms a 5-year-old son remained, realized that she could simply die of hunger, becoming another innocent victim of the Red Terror. Indeed, it practically ceased to be published, and there was no means of subsistence. As for her husband, the poet Nikolai Gumilyov, at that moment he was in France and could not help the family in any way, although he offered Akhmatova to make efforts so that she could leave the rebellious, rebellious and hungry Russia.
It was during this difficult period of life, when the whole familiar world was crumbling before our eyes. Like a house of cards, Anna Akhmatova wrote a poem “I had a voice. He called comfortably ... ". This short work contains all the inner experiences and mental anguish of the poetess, who faced a difficult choice - to escape from ruined Russia abroad or to share her difficult, tragic and sad fate with her homeland.
Akhmatova's answer turned out to be unexpected and adamant. She did not give in to the inner voice, which whispered: “Leave your land deaf and sinful. Leave Russia forever. " Instead of packing her bags in the hope that life abroad will be more well-fed and free, Akhmatova decided to leave in her heart the "black shame" she felt when looking at what was happening around her. She managed to formalize a divorce from Gumilev and after a few months she married the scientist Vladimir Shileiko, thanks to which she was able to live in relative prosperity the most troubled and tragic years associated with the formation of Soviet power.
Akhmatova's biographers are still arguing about what this marriage was based on, and come to the conclusion that the poetess sacrificed her own feelings for the opportunity to stay in Russia and not die of hunger. In fact, she got married so that her little son had where to live and what to eat. Having mastered a new and such a foreign world for her, the poetess filed for divorce and linked her life with another person. However, until her death, she never regretted that at one time she gave a merciless rebuff to her inner voice, "so that this unworthy speech would not defile a mournful ear."
It is difficult to say whether Akhmatova knew about what lay ahead of her. However, completely ignoring the new government, she remained a true patriot of her country, sharing her fate not only during the revolution, but also during the Great Patriotic War, part of which she spent in besieged Leningrad. Her more successful friends have long established a personal life in Europe, watching from the sidelines how their beloved Russia is changing before their very eyes. Akhmatova, on the other hand, was in the thick of things and witnessed these difficult changes, which responded with pain in the heart. Nevertheless, the poetess admitted that she would feel much worse if she were on the other side of the barricades, becoming an outside observer of many historical events. And in these words there was no irony, resentment, bragging, or a desire to present oneself in a more favorable light. Anna Akhmatova sincerely believed that her life was inextricably linked with Russia, even if for this she had to endure hardships, insults, insults, slander and deception, as well as put an end to her literary career, which the poet held dear.
Love for the homeland, no matter how pretentious this phrase may sound, was the main theme not only for Akhmatov's lyrics, but also for Akhmatov's sense of self, for the poet's worldview. Probably, to some extent, Akhmatova in many respects even relied on her own deep, genuine and sincere patriotism as a kind of reference point, the ability to build the rest of her worldview.
Poem My voice was .. tells about the events in the soul of the poetess after the events of the 1917 revolution. As you know, during this period, many creative people went to other countries in order to wait out hardships or completely part with the new world. A country that has become completely different and the new government did not suit many, especially people who are used to expressing their own opinion openly, even if it is not similar to the opinion of others.
It is clear that in such a situation poets like Blok could feel normal, who accepted a new power and a new order. Akhmatova quite vehemently rejected the new order and did not accept the revolution, nevertheless, she saw herself as a part of her country. A feature that is known to many was how Akhmatova separated the power and the country as such, she considered herself a part of the country and sincerely considered possible times when the power would become worthy of a great country.
The poem tells about the period of turmoil, when the excitement covered almost every person. The capital is filled with ambiguity, which the poetess describes quite accurately as "an intoxicated harlot." The city has lost its own grandeur and is now becoming a space in which completely unknown forces operate.
Akhmatova quite accurately describes the embarrassment that can overtake a person's soul in such a situation. The poetess hears a voice that can get rid of all sorts of adversity and promises an easy existence, but she is not seduced by this voice and can easily recognize in it the temptation to which she is being attacked. As befits a creative person and, in particular, a poet, Akhmatova takes care of the purity of her inner world and protects this inner world by any means.
As you know, the soul is more significant than the rest of the world. Therefore, a person who understands this fact does not pay attention to external comfort or any conditions, actions are the result of an internal worldview. In such a situation, a worthy person “indifferently and calmly” closes his ears so as not to listen to unworthy speeches and defile his own spirit.
Analysis 2
One of the famous works, namely the poem “I had a voice. He called comfortingly ... ”the great Russian poetess Anna Akhmatova was written in 1917.
The first thing to note is that Anna never tried to put her soul into poems, it was much easier for her to create works based on fiction and her imagination, without investing her own fate in them. However, the revolutionary years affected many people very hard, the same applies to this poetess, this time became difficult for her and quite tragic. But, in spite of everything, she was always grateful to fate for just such a life and never dreamed of living her life differently.
The main theme of this work is undoubtedly the motherland of the poetess, namely Russia. After all, it is far from a secret that Akhmatova has always been very sensitive to the topic of the homeland, sincerely believing that this is the most important thing that can be in a person's life.
That is why it should be noted that the poem belongs to the civil, one might even say the patriotic lyrics of the poet.
The construction of this work is carried out in the form of a patriotic confession of the main character. According to some artistic techniques, we can say that this poem has something similar to an ode.
The poem begins with the words of temptation. Since the main character seems to hear a voice that beckons her, calling her to leave her homeland, betray her and go in search of a new, better life.
Literary experts and critics have repeatedly compared this work with the work of another, no less famous and beloved poet, namely Alexander Sergeevich Pushkin. In comparison, we took his work "The Prophet". And indeed, something common slipped both there and there.
To show the fullness of the feelings that the main character experiences, the poem is filled with various artistic elements and from this it is more colorful and complete.
In general, all the works of Anna Akhmatova related to the theme of the homeland are very lively, since this topic was really very close to the poetess. She herself was repeatedly offered to leave Russia and move to Europe, but each time the poetess responded with a harsh refusal, pointing out that she simply could not give her own country, comparing this betrayal with betrayal of herself.
Reading this work, many people think that the homeland really means a lot in everyone's life, and this is very good and important.
You may be interested
- Analysis of Akhmatova's poem Not with those who abandoned the earth ...
From the first line of the poem Akhmatova separates herself from "those". The author is fundamentally not with them. Who are they? These are those who not only left their homeland, but left it to the enemies to be torn apart.
- Analysis of Nekrasov's poem I will die soon
The work "I Will Die Soon" was written by the Russian poet Nekrasov in 1867. In general, the verse was written for a reason. It is dedicated to a friend who is supposedly unknown. The poem "It Can't Be" was sent to Nekrasov by a man
- Analysis of Fet's poem Spring Rain Grade 5
Afanasy Fet is a man who always adheres to his principles. But he always does it as if it were for granted. Afanasy Fet is a wonderful writer and poet
- Analysis of the poem Yesterday, in the sun, Mleya Feta
Afanasy Fet is an adherent of art, which is considered to be pure, his work has become a vivid proof of the presence of impressionism in the literary field.
- Analysis of the poem Confusion of Akhmatova
This is a poem about feelings and relationships. It is sincerely written in the first person - the poetess herself. She is in love, but feelings cause only confusion in herself.
A kind of result of Anna Akhmatova's path is considered her poem "There was a voice for me. He called comfortably ...", written in 1917 and representing a bright invective directed against those who, during a period of difficult trials, intended to abandon their homeland:
He said: "Come here,
Leave your land deaf and sinful
Leave Russia forever.
I will wash the blood from your hands,
I will take out the black shame from my heart
I will cover with a new name
The pain of defeats and offenses. "
But indifferent and calm
I closed my ears with my hands
So that this unworthy speech
The sorrowful spirit was not defiled.
This poem is significant in many ways. First, it immediately drew a line between Akhmatova and emigrants, mainly "external", that is, those who really left Russia after the October coup, as well as some of those who were called internal emigrants, that is, by some or reasons that have not left, but are hostile to Russia, which has embarked on a new path. Not understanding the meaning of the revolution - and in this differing from A. Blok and V. Mayakovsky - Akhmatova treated the events of the revolution and civil war unfolding before her from the position of her views. She condemned the civil war, and this war seemed to her the more terrible because it was combined with the intervention of foreign powers and was fought between people belonging to the same fatherland. But despite the general rejection of what was happening, there was something that radically distinguished Akhmatova from the emigrants - this feeling of patriotism, which was always very strong with her.
The attitude towards Akhmatova among the emigrants was complex and contradictory. In the eyes of many, she was and remained a representative of the refined art of the nobility, an acmeist, a star of exquisite literary salons. But this was only one, albeit important and inalienable, side of the past way of life - her work was broader and more significant than the work of most of her literary circle. In the poem "My voice is a ball. He called comfortably ..." Akhmatova first appeared as a bright poet-citizen, poet-patriot. The strict form, elevated, biblical intonation of the poem, forcing one to remember the prophets-preachers, and the very gesture of the one who expelled from the temple - everything in this case is surprisingly commensurate with the majestic and harsh era that began a new chronology. A new world was born, a new Age went on, marked by a reassessment of values \u200b\u200band the creation of new relationships, and these events in the circumstances prevailing at that time were inevitably accompanied by suffering and blood. But this is precisely what Akhmatova could not fully accept. She refused to divide people into "red" and "white" - the poetess preferred to cry and grieve for both. A. Blok was very fond of the poem "I had a voice. He called comfortably ...", knew it by heart and, according to K. Chukovsky, expressed his attitude to the position inherent in it: "Akhmatova is right. This is an unworthy speech. To run away from the Russian revolution - a shame".
This poem is one of the brightest works of the period of the revolution. There is no understanding of it, no acceptance of it, but the voice of that part of the intelligentsia sounded passionately and with dignity, which went through agony, made mistakes, doubted, rejected, found, but in the middle of all this cycle has already made its main choice: stayed with her country, with its people. Here the national attachment to the native land played a role, to escape from which is a shame, and the internal cultural-democratic basis inherent in the broad wing of the Russian intelligentsia.
1. History of creation... The poem "There was a voice for me" was written by A. Akhmatova in 1917. It was included in the collection "The White Guard".
2. Genre of the poem - civic lyrics.
3. Basic idea works - patriotism. In one of the most difficult periods in the history of Russia, the Russian intelligentsia faced a difficult question: is it worth living in this unhappy country, where a bullet can overtake at any second. Many people could not stand the monstrous stress and left Russia. Akhmatova had a sharply negative attitude towards those who, out of cowardice, left the country in trouble. The emigrants scorned her. The poet remained in Russia. She could not do otherwise.
The poetess's point of view is clearly stated in the poem. The mysterious "voice" calling to leave the country symbolizes everything that is petty and cowardly that is in the soul of every person. This voice lulls, makes you avoid risk and danger in order to preserve yourself. Thousands of Russian people who fled abroad listened to him. Emigration for many seemed the only way out.
It should be noted that only a small part of Russian emigrants were able to find their place in a foreign land. The overwhelming majority of refugees have become beggars, making odd jobs. For Akhmatova, “voices” are “unworthy speech”. She understands that if you constantly listen to him, think about flight, then in the end this thought will completely take over consciousness. Therefore, the poetess resolutely "closed her ears." She stayed in her homeland and with her experienced all the incredibly difficult trials and hardships.
4. Composition... The work can be roughly divided into two parts. The first describes a voice calling for emigration and his seemingly correct and fair arguments. The second part (the last quatrain) is the poetess' courageous decision not to attach importance to seductive speech.
5. The size of the piece - iambic tetrameter with cross rhyme.
6. Expressive means. Akhmatova emphasizes the gloomy atmosphere in revolutionary Russia with the epithets: "deaf and sinful," "black," "mournful." The metaphor looks very impressive: "I will take out the black shame from my heart." The poem is written in a solemn form, reminiscent of an ode.
7. Main idea works - one must not succumb to the voice of temptation, calling for a betrayal of one's Motherland. Of course, most of the intelligentsia did not take part in the hostilities and did not provide real assistance to the White Army. These people often became innocent victims. However, those who remained in Russia symbolized the banner of stubborn resistance to the new government.
By their example, they proved that in any situation they feel their blood connection with the Motherland. Nobody and nothing can make a real patriot run shamefully. Many emigrants (even those who have achieved success abroad) until the end of their lives felt their guilt before Russia and dreamed of returning back. Akhmatova had a presentiment of this back in 1917, so she rejected any hint of the possibility of leaving.
I will wash the blood from your hands,
I will take out the black shame from my heart
I will cover with a new name
The pain of defeats and offenses. "
But indifferent and calm
I closed my ears with my hands
So that this unworthy speech
The mournful spirit was not defiled.
Analysis of the poem “I had a voice. He called comfortably ... "Akhmatova
The 1917 revolution became a turning point not only in the political, but also in the spiritual fate of Russia. In fact, the country split into two irreconcilable camps, which caused the Civil War. Another split occurred among people who did not accept the new government. Some decided to leave the country either out of fear of physical violence, or considering that in the new Russia they had nothing else to do. The rest wanted to continue fighting the Bolsheviks. Many poets and writers could not imagine life outside of Russia, so their decision to stay was based on a sense of patriotism. A. Akhmatova belonged to such people. She expressed her views in the work "I had a voice", written immediately after the revolution (autumn 1917).
The poem is known in two versions. In fact, it is a combination of two separate poems: "" and actually "My voice was ...". The common edition includes both and consists of five stanzas.
The poetess describes a terrible time before the revolution. It was clear that Russia was losing the First World War (“the people were waiting for the German guests”). The country was in an all-encompassing crisis. The Orthodox faith was no longer considered the last defender of Russia. The authority of the church fell incredibly, and along with it the spiritual supports of the Russian people began to waver. People literally went berserk. The lofty ideals were trampled into the mud, the main aspiration was to satisfy the primitive natural needs.
Akhmatova uses a very expressive comparison of St. Petersburg with a "drunken harlot." Not only in the capital, but also in many Russian cities, residents were already indifferently looking at the change of power, just to stay alive. No one was interested in the future of the country. Russia was becoming an arena for the struggle of political groups. Even foreign intervention was perceived by many with the hope of improving the situation and restoring order.
In these unbearable conditions, many succumbed to fear and began to leave the country. The mysterious voice that the heroine hears can be compared to a devilish temptation. He calls on her to leave a hopeless country, to renounce her for the sake of a carefree life in exile. There you can forget about all the horrors, calm down and start a new life.
Akhmatova "indifferently and calmly" rejects the tempter's proposal. She feels that it is in such a difficult time that her Motherland needs. Even if she has to die, she will be glad to meet death with dignity in her native land. The poem of the poetess is a manifestation of true patriotism and contempt for those who actually betrayed their country.